{"title":"《萌芽的虚无:杰米·萨恩斯之夜的置换与仪式转变》","authors":"Víctor Vimos","doi":"10.5195/bsj.2021.251","DOIUrl":null,"url":null,"abstract":"In Jaime Saenz’s poem La Noche, mystical, linguistic, and symbolic elements interact to alter our conception of reality. I carry out such a reading by focusing on ritual and the ways that it influences Saenz’s poetic language. I show that this poem proposes to think about night as a cyclical territory in which time and space are decentered from their daily useage. This decentering reflects an identity crisis that emerges when we come face to face with the alterity within ourselves. ","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La nada germinal: Desplazamiento y transformación ritual en La Noche de Jaime Saenz\",\"authors\":\"Víctor Vimos\",\"doi\":\"10.5195/bsj.2021.251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Jaime Saenz’s poem La Noche, mystical, linguistic, and symbolic elements interact to alter our conception of reality. I carry out such a reading by focusing on ritual and the ways that it influences Saenz’s poetic language. I show that this poem proposes to think about night as a cyclical territory in which time and space are decentered from their daily useage. This decentering reflects an identity crisis that emerges when we come face to face with the alterity within ourselves. \",\"PeriodicalId\":30365,\"journal\":{\"name\":\"Bolivian Studies Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bolivian Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/bsj.2021.251\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bolivian Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/bsj.2021.251","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
La nada germinal: Desplazamiento y transformación ritual en La Noche de Jaime Saenz
In Jaime Saenz’s poem La Noche, mystical, linguistic, and symbolic elements interact to alter our conception of reality. I carry out such a reading by focusing on ritual and the ways that it influences Saenz’s poetic language. I show that this poem proposes to think about night as a cyclical territory in which time and space are decentered from their daily useage. This decentering reflects an identity crisis that emerges when we come face to face with the alterity within ourselves.