{"title":"演出历史揭秘:兰伯特和皇家芭蕾舞团的演出数据库","authors":"Chris Jones","doi":"10.3366/drs.2020.0304","DOIUrl":null,"url":null,"abstract":"Dance archives were instrumental in the development of the first performance databases produced in the UK. This article examines the conceptual frameworks and practical components of the performance databases created by two of them: the Rambert Archive and Royal Opera House Collections, which holds the archives of the Royal Ballet and Birmingham Royal Ballet (up to 1997). It outlines their work-based data models (contrasting these with event-based data models), the contents and cataloguing rules of their ‘work’ and ‘performance’ records, and their online presentation of the data.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"38 1","pages":"138-148"},"PeriodicalIF":0.3000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Performance History Revealed: The Performance Databases of Rambert and the Royal Ballet\",\"authors\":\"Chris Jones\",\"doi\":\"10.3366/drs.2020.0304\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dance archives were instrumental in the development of the first performance databases produced in the UK. This article examines the conceptual frameworks and practical components of the performance databases created by two of them: the Rambert Archive and Royal Opera House Collections, which holds the archives of the Royal Ballet and Birmingham Royal Ballet (up to 1997). It outlines their work-based data models (contrasting these with event-based data models), the contents and cataloguing rules of their ‘work’ and ‘performance’ records, and their online presentation of the data.\",\"PeriodicalId\":42392,\"journal\":{\"name\":\"Dance Research\",\"volume\":\"38 1\",\"pages\":\"138-148\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dance Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/drs.2020.0304\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dance Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/drs.2020.0304","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
Performance History Revealed: The Performance Databases of Rambert and the Royal Ballet
Dance archives were instrumental in the development of the first performance databases produced in the UK. This article examines the conceptual frameworks and practical components of the performance databases created by two of them: the Rambert Archive and Royal Opera House Collections, which holds the archives of the Royal Ballet and Birmingham Royal Ballet (up to 1997). It outlines their work-based data models (contrasting these with event-based data models), the contents and cataloguing rules of their ‘work’ and ‘performance’ records, and their online presentation of the data.