{"title":"比必要更美","authors":"D. Ritchie","doi":"10.1163/22134603-00601001","DOIUrl":null,"url":null,"abstract":"What was it about the First World War that brought on Modernism? Like the simplified poppy form and the sword-within-a-cross which both came to memorialize the First World War in British culture, materiel from that era—shells, rifle stocks, helmets, bullets, bunkers— have a thoroughly modern, almost Bauhaus aesthetic. This was not entirely new in the history of weapons; the common soldier had often fought with unadorned weapons. In this war, however, there was nothing else to see; soldiers could safely regard only the sky, their comrades, their weapons and—viewed through a periscope’s framing—a landscape stripped of nature’s adornments. The inference is that this limited vision and consequent focus on unadorned form were key to the modern aesthetic taking hold.","PeriodicalId":36324,"journal":{"name":"Vulcan","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2018-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22134603-00601001","citationCount":"0","resultStr":"{\"title\":\"More Beautiful Than Necessary\",\"authors\":\"D. Ritchie\",\"doi\":\"10.1163/22134603-00601001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What was it about the First World War that brought on Modernism? Like the simplified poppy form and the sword-within-a-cross which both came to memorialize the First World War in British culture, materiel from that era—shells, rifle stocks, helmets, bullets, bunkers— have a thoroughly modern, almost Bauhaus aesthetic. This was not entirely new in the history of weapons; the common soldier had often fought with unadorned weapons. In this war, however, there was nothing else to see; soldiers could safely regard only the sky, their comrades, their weapons and—viewed through a periscope’s framing—a landscape stripped of nature’s adornments. The inference is that this limited vision and consequent focus on unadorned form were key to the modern aesthetic taking hold.\",\"PeriodicalId\":36324,\"journal\":{\"name\":\"Vulcan\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2018-10-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/22134603-00601001\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vulcan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22134603-00601001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vulcan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22134603-00601001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
What was it about the First World War that brought on Modernism? Like the simplified poppy form and the sword-within-a-cross which both came to memorialize the First World War in British culture, materiel from that era—shells, rifle stocks, helmets, bullets, bunkers— have a thoroughly modern, almost Bauhaus aesthetic. This was not entirely new in the history of weapons; the common soldier had often fought with unadorned weapons. In this war, however, there was nothing else to see; soldiers could safely regard only the sky, their comrades, their weapons and—viewed through a periscope’s framing—a landscape stripped of nature’s adornments. The inference is that this limited vision and consequent focus on unadorned form were key to the modern aesthetic taking hold.