比必要更美

IF 0.2 Q2 HISTORY
Vulcan Pub Date : 2018-10-22 DOI:10.1163/22134603-00601001
D. Ritchie
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引用次数: 0

摘要

第一次世界大战带来现代主义的原因是什么?就像英国文化中用来纪念第一次世界大战的简化罂粟花和十字架中的剑一样,那个时代的物资——炮弹、枪托、头盔、子弹、掩体——具有完全现代的、几乎包豪斯式的美学。这在武器史上并不是什么新鲜事;普通士兵经常使用朴实无华的武器作战。然而,在这场战争中,没有什么别的可看的;士兵们可以安全地只看到天空、他们的战友、他们的武器——通过潜望镜的框架观察——一片没有自然装饰的风景。由此推断,这种有限的视野和随之而来的对朴实无华形式的关注是现代美学站稳脚跟的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
More Beautiful Than Necessary
What was it about the First World War that brought on Modernism? Like the simplified poppy form and the sword-within-a-cross which both came to memorialize the First World War in British culture, materiel from that era—shells, rifle stocks, helmets, bullets, bunkers— have a thoroughly modern, almost Bauhaus aesthetic. This was not entirely new in the history of weapons; the common soldier had often fought with unadorned weapons. In this war, however, there was nothing else to see; soldiers could safely regard only the sky, their comrades, their weapons and—viewed through a periscope’s framing—a landscape stripped of nature’s adornments. The inference is that this limited vision and consequent focus on unadorned form were key to the modern aesthetic taking hold.
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来源期刊
Vulcan
Vulcan Arts and Humanities-History
CiteScore
1.30
自引率
0.00%
发文量
15
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