我的哭声一直到我的喉咙:Mandan Hidatsa Arikara民族的流离失所、土著故事和视觉主权

J. Shannon
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引用次数: 0

摘要

摘要:科罗拉多大学自然历史博物馆将圣物归还北达科他州的Mandan Hidatsa Arikara民族为长期研究伙伴关系奠定了基础,该伙伴关系产生了一个口述历史项目和纪录片,讲述了一名传教士过去在保留地的生活和时代,它为老年人提供了一种将现在历史化的手段,并向下一代传达他们对当代的关注。通过强调视觉主权和参与土著故事制作的合作电影制作过程,由此产生的视频以社区成员自己的方式代表了过去,在社区审查会议上引发了关于石油繁荣的对话,并成为部落学院的教学资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
My Cry Gets Up to My Throat: Dysplacement, Indigenous Storywork, and Visual Sovereignty in the Mandan Hidatsa Arikara Nation
Abstract:The repatriation of sacred objects from the University of Colorado Museum of Natural History to the Mandan Hidatsa Arikara Nation in North Dakota established the foundation for a long-term research partnership that resulted in an oral history project and documentary about the life and times of a missionary to the reservation in the past, and it provided a means for elders to historicize the present and communicate to the next generation their concerns about contemporary times. Through a collaborative filmmaking process that highlighted visual sovereignty and engaged in Indigenous storywork, the resulting video represented the past in the community members’ own terms, sparked dialogue in community vetting sessions about the oil boom, and became a teaching resource for the tribal college.
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