重塑未来:日本的核禁区和3.11后的生态电影

Journal of Japanese and Korean Cinema Pub Date : 2019-01-02 DOI:10.1080/17564905.2019.1600697

D. O’Neill

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引用次数: 2

摘要

福岛隔离区已经成为科学家和政治家们强烈关注的对象，在那里，野生动物的反弹被认为是大自然在面对核灾难时恢复力的有力证据。本文选取了一系列关于重新野生化的电影作品，探讨了生态未来是如何通过人类和非人类的互动来重新想象的。它试图将野生化理解为通过确保个体动物、其所代表的物种以及其所帮助维持的更广泛的人类生态的未来来重塑“生命”的尝试。它还将探讨生态媒体如何将我们的注意力转移到非人类参与自然的创造上，这种参与会产生某种不和谐，在这种不和谐中，不同形式的“生命”的最佳利益可能并不总是一致的。

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Rewilding futures: Japan’s nuclear exclusion zone and post 3.11 eco-cinema

ABSTRACT The exclusion zone in Fukushima has become an object of intense interest for scientists and politicians where the rebound of wildlife is taken to be compelling evidence of nature’s resilience in the face of nuclear disasters. By taking up a range of cinematic works on re-wilding, this paper explores how ecological futures are reimagined through human and non-human interactions. It seeks to understand re-wilding as attempts to remake “life” by securing the future of the individual animal, the species it represents and the wider human ecology it helps to sustain. It will also explore how eco-media may redirect our attention to the participation of nonhumans in the making of nature, one that generates a certain dissonance in which the best interest of different forms of “life” may not always align.

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来源期刊

Journal of Japanese and Korean Cinema Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Journal of Japanese and Korean Cinema is a fully refereed forum for the dissemination of scholarly work devoted to the cinemas of Japan and Korea and the interactions and relations between them. The increasingly transnational status of Japanese and Korean cinema underlines the need to deepen our understanding of this ever more globalized film-making region. Journal of Japanese and Korean Cinema is a peer-reviewed journal. The peer review process is double blind. Detailed Instructions for Authors can be found here.