{"title":"在那里,在你面前:关心那些漠不关心的人","authors":"A. Evrard","doi":"10.1080/26438941.2021.2003552","DOIUrl":null,"url":null,"abstract":"ABSTRACT Since 2005, a growing number of French documentary filmmakers have taken their cameras inside institutions of care: hospitals, psychiatric wards, private doctors’ offices, nursing homes and even prisons. This article focuses on two films – Prendre soin/Caring (Bertrand Hagenmüller, 2018) and Être là/Being There (Régis Sauder, 2012) – that bring the viewer inside nursing homes and a psychiatric care unit located at the heart of a violent penitentiary – to contend that filmmakers have redefined (health)care as a political and ethical field so as to interrogate our collective (in)ability to care for all members of our society with compassion and attention. It proposes that Prendre soin and Être là actively engage with care as a set of practices, attitudes and interactions that continually need to be reaffirmed against misconceptions, managerial demands and institutional violence. As they do so, they position documentary cinema as a space where the value of care can be grasped more intimately. Furthermore, both films dislodge the viewer from the safe position documentary spectators expect to maintain by leading them to face alterity (social, psychological, physical) as a shared human condition.","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"22 1","pages":"60 - 76"},"PeriodicalIF":0.5000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"There, before you: caring for the uncared for\",\"authors\":\"A. Evrard\",\"doi\":\"10.1080/26438941.2021.2003552\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Since 2005, a growing number of French documentary filmmakers have taken their cameras inside institutions of care: hospitals, psychiatric wards, private doctors’ offices, nursing homes and even prisons. This article focuses on two films – Prendre soin/Caring (Bertrand Hagenmüller, 2018) and Être là/Being There (Régis Sauder, 2012) – that bring the viewer inside nursing homes and a psychiatric care unit located at the heart of a violent penitentiary – to contend that filmmakers have redefined (health)care as a political and ethical field so as to interrogate our collective (in)ability to care for all members of our society with compassion and attention. It proposes that Prendre soin and Être là actively engage with care as a set of practices, attitudes and interactions that continually need to be reaffirmed against misconceptions, managerial demands and institutional violence. As they do so, they position documentary cinema as a space where the value of care can be grasped more intimately. Furthermore, both films dislodge the viewer from the safe position documentary spectators expect to maintain by leading them to face alterity (social, psychological, physical) as a shared human condition.\",\"PeriodicalId\":40074,\"journal\":{\"name\":\"French Screen Studies\",\"volume\":\"22 1\",\"pages\":\"60 - 76\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/26438941.2021.2003552\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2021.2003552","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
摘要自2005年以来,越来越多的法国纪录片制作人在医疗机构内拍摄他们的相机:医院、精神病病房、私人医生办公室、疗养院甚至监狱。这篇文章聚焦于两部电影——《Prendre soin/Caring》(Bertrand Hagenmüller,2018)和《Uncated tre là/Being There》(Régis Sauder,2012),这两部电影将观众带进了位于暴力监狱中心的疗养院和精神病护理室,认为电影制作人已经将(健康)护理重新定义为一个政治和伦理领域,以质疑我们的集体能力以同情和关注的态度关心我们社会的所有成员。它建议Prendre soin和Uncated tre là积极参与护理,将其作为一套实践、态度和互动,需要不断重申,反对误解、管理要求和机构暴力。在这样做的过程中,他们将纪录片定位为一个可以更紧密地把握关怀价值的空间。此外,这两部电影都将观众从纪录片观众期望保持的安全位置上赶走,导致他们将争吵(社会、心理、身体)视为共同的人类状况。
ABSTRACT Since 2005, a growing number of French documentary filmmakers have taken their cameras inside institutions of care: hospitals, psychiatric wards, private doctors’ offices, nursing homes and even prisons. This article focuses on two films – Prendre soin/Caring (Bertrand Hagenmüller, 2018) and Être là/Being There (Régis Sauder, 2012) – that bring the viewer inside nursing homes and a psychiatric care unit located at the heart of a violent penitentiary – to contend that filmmakers have redefined (health)care as a political and ethical field so as to interrogate our collective (in)ability to care for all members of our society with compassion and attention. It proposes that Prendre soin and Être là actively engage with care as a set of practices, attitudes and interactions that continually need to be reaffirmed against misconceptions, managerial demands and institutional violence. As they do so, they position documentary cinema as a space where the value of care can be grasped more intimately. Furthermore, both films dislodge the viewer from the safe position documentary spectators expect to maintain by leading them to face alterity (social, psychological, physical) as a shared human condition.