{"title":"劳动的亲密关系","authors":"Elana Resnick","doi":"10.1215/08992363-10575595","DOIUrl":null,"url":null,"abstract":"\n This essay rethinks writing on “intimate labor” to ethnographically explore the intimacy of labor by attending to how Romani women waste workers in Bulgaria assert workplace friendships to lay claim to public space and cultivate life-sustaining solidarities. Under conditions of racialized and degrading labor, they play with their uniformed hypervisibility, catcall white men on city streets, and temporarily unsettle normative expectations of womanhood. With this disruptive power of workplace intimacy, street sweepers use humor and play to create collective pleasure for themselves and one another. As they explain that they “die so that white Bulgarians can live,” they also use their friendships to generate pleasurable forms of living, what they term “anything else.”","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2023-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Intimacy of Labor\",\"authors\":\"Elana Resnick\",\"doi\":\"10.1215/08992363-10575595\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This essay rethinks writing on “intimate labor” to ethnographically explore the intimacy of labor by attending to how Romani women waste workers in Bulgaria assert workplace friendships to lay claim to public space and cultivate life-sustaining solidarities. Under conditions of racialized and degrading labor, they play with their uniformed hypervisibility, catcall white men on city streets, and temporarily unsettle normative expectations of womanhood. With this disruptive power of workplace intimacy, street sweepers use humor and play to create collective pleasure for themselves and one another. As they explain that they “die so that white Bulgarians can live,” they also use their friendships to generate pleasurable forms of living, what they term “anything else.”\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2023-05-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-10575595\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-10575595","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
This essay rethinks writing on “intimate labor” to ethnographically explore the intimacy of labor by attending to how Romani women waste workers in Bulgaria assert workplace friendships to lay claim to public space and cultivate life-sustaining solidarities. Under conditions of racialized and degrading labor, they play with their uniformed hypervisibility, catcall white men on city streets, and temporarily unsettle normative expectations of womanhood. With this disruptive power of workplace intimacy, street sweepers use humor and play to create collective pleasure for themselves and one another. As they explain that they “die so that white Bulgarians can live,” they also use their friendships to generate pleasurable forms of living, what they term “anything else.”
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.