“一个完全不同的世界”:跨边疆经验的反故事

IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
C. Gerrard, Rey
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引用次数: 0

摘要

本文提供了一个关于移民经历和边境过境的破坏性的、占主导地位的叙述的反故事。通过反叙事,我分享了雷伊作为一名跨国界学生的生活经历,她每天穿越美国和墨西哥边境上学,并最终参与学校音乐。指导这项研究的首要问题是:在美国,跨国界学生在学校和学校音乐方面的体验是什么?基于这些发现,雷伊在美国接受教育时遇到了字面上和隐喻上的障碍。特别是,导航语言,基于缺陷的教学实践,监视和警务是他叙述的关键。目前作为一名音乐教育家,雷伊从他个人的跨界背景中汲取灵感,在一个以拉丁裔学校为主的社区开展音乐教学实践。根据当前的社会政治问题,包括需要更多的文化和语言响应实践,讨论了与移民学生和家庭合作的考虑因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A Completely Different World”: A Counterstory of Transfronterizx Experiences
This article provides a counterstory to damaging, dominant narratives concerning migrant experiences and border crossings. Through counter-storytelling, I share Rey’s lived experiences as a transfronterizx (transborder) student who crossed the United States–Mexico border daily to attend school and eventually, participate in school music. The overarching question guiding the study was: What are a transfronterizx student’s experiences navigating school and school music in the United States? Based on the findings, Rey encountered literal and metaphorical barriers as he pursued an education in the United States. In particular, navigating language, deficit-based teaching practices, surveillance, and policing were key in his narrative. Currently as a music educator, Rey draws from his personal transfronterizx background to inform his music teaching practices in a predominantly Latine school community. Considerations for working with migrant students and families are discussed in light of ongoing sociopolitical issues, including the need for more culturally and linguistically responsive practices.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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