来自“搏击俱乐部”的回响

Q1 Arts and Humanities
Francisco Collado Rodríguez
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引用次数: 0

摘要

本作品将查克·帕拉尼克的小说《调整日》作为对美国政治激进化的讽刺批评,并作为对危险的意识形态影响的警告,这种影响可能对我们后人文主义对现实的理解产生影响。为了达到自己的目的,小说家结合了三种文体策略。首先,他创造了一个讽刺的故事,揭露了美国政治的状况,激进的政治正确的危险,以及民粹主义革命的当前风险。其次,他在《搏击俱乐部》以及其他文学作品和批评理论中使用了明确的元虚构参考,以警告叙事力量可能产生的危险影响。最后,Palahniuk抛弃了他在早期和最著名的小说中使用的极简主义风格,转而支持一种异质叙事和全知叙事的声音,这种声音与多种内部聚焦相结合,支持对现实的多元,非分类的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Echoes from "Fight Club"
This work addresses Chuck Palahniuk’s novel Adjustment Day as a satirical critique of the political radicalization of the USA and as a warning about the dangerous ideological effects narratives may have on our posthumanist understanding of reality. To reach his purposes, the novelist combines three stylistic strategies. First, he creates a satirical story that exposes the condition of American politics, the dangers of radicalized political correctness, and the present risks of populist revolutions. Secondly, he uses explicit metafictional references to Fight Club and to other literary works and critical theories to warn about the dangerous effects that the power of narrative can have. Finally, Palahniuk departs from the minimalist style he used in his earlier and most well-known fiction in favor of a heterodiegetic and omniscience narrative voice that, combined with multiple internal focalizations, endorses a plural, non-categorical understanding of reality.  
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来源期刊
Journal of English Studies
Journal of English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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审稿时长
50 weeks
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