燃烧器,默认和交流民族志学家:在火人节改编民族志人物

IF 0.6 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Raquel Polanco
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引用次数: 0

摘要

摘要本文认为,在室内剧场改编的文学作品中,将叙述者一分为二的启发式实践为表演民族志学家提供了一种识别民族志写作中叙事张力的策略。我回顾了确立民族志写作的文学虚构性质的论点,以及学者们随后使用元小说来解决“表现危机”带来的担忧,以及在《火人》中作为叙事视角的认可,这对表现民族志学家驾驭混乱和易读性之间的紧张关系很有用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man
ABSTRACT This essay argues that the heuristic practice of bifurcating the narrator in Chamber Theatre adaptations of literature offers the performance ethnographer a strategy for identifying narrative tensions in ethnographic writing. I review arguments establishing the literary fictional nature of ethnographic writing and the subsequent use of metafiction by scholars to address the concerns brought about by “the crisis of representation.” I identify invention, convention, and recognition as narrative perspectives at Burning Man that are useful to performance ethnographers navigating the tension between chaos and legibility.
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来源期刊
Text and Performance Quarterly
Text and Performance Quarterly HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
60.00%
发文量
60
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