{"title":"在尼日利亚伊斯兰教与流行文化的交汇点上做穆斯林","authors":"M. Ibrahim","doi":"10.1080/13696815.2022.2060193","DOIUrl":null,"url":null,"abstract":"ABSTRACT “Being Muslim” is a complex identity formation process that involves negotiating what is considered “Islamic” or “non-Islamic” selves in various localized and globalized contexts. At the crossroad of Islam and popular culture, divergent Muslim cultural producers influence how contemporary Muslim cultures and identities are produced and negotiated in both normative and disruptive ways. Using “celebrity” as a cultural formation with a social function, this article examines shifting dynamics, contradictions, tensions, and negotiation processes within the Muslim cultural production fields (both physical and virtual) that involve “dominant” popular Islamic preachers in northern Nigeria and “emerging” Muslim superstars in the Kannywood entertainment industry. By examining how some popular Islamic preachers (who are opposed to Kannywood celebrity culture) have transformed into religious celebrities themselves, and how Kannywood superstars crafted their identities as Muslim celebrities, the article shows that an assertion of one’s Muslim identity in a cultural setting dominated by Islamist movements does not necessarily indicate an endorsement of those movements’ reform agendas. Instead, it can challenge those movements’ interpretations of Islam through alternative ways of being Muslim in subtle ways – a dynamic that reveals processes at work in the reconstruction of “being Muslim” in the contemporary world.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"205 - 222"},"PeriodicalIF":0.9000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Being Muslim at the Intersection of Islam and Popular Cultures in Nigeria\",\"authors\":\"M. Ibrahim\",\"doi\":\"10.1080/13696815.2022.2060193\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT “Being Muslim” is a complex identity formation process that involves negotiating what is considered “Islamic” or “non-Islamic” selves in various localized and globalized contexts. At the crossroad of Islam and popular culture, divergent Muslim cultural producers influence how contemporary Muslim cultures and identities are produced and negotiated in both normative and disruptive ways. Using “celebrity” as a cultural formation with a social function, this article examines shifting dynamics, contradictions, tensions, and negotiation processes within the Muslim cultural production fields (both physical and virtual) that involve “dominant” popular Islamic preachers in northern Nigeria and “emerging” Muslim superstars in the Kannywood entertainment industry. By examining how some popular Islamic preachers (who are opposed to Kannywood celebrity culture) have transformed into religious celebrities themselves, and how Kannywood superstars crafted their identities as Muslim celebrities, the article shows that an assertion of one’s Muslim identity in a cultural setting dominated by Islamist movements does not necessarily indicate an endorsement of those movements’ reform agendas. Instead, it can challenge those movements’ interpretations of Islam through alternative ways of being Muslim in subtle ways – a dynamic that reveals processes at work in the reconstruction of “being Muslim” in the contemporary world.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"205 - 222\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2022.2060193\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2022.2060193","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Being Muslim at the Intersection of Islam and Popular Cultures in Nigeria
ABSTRACT “Being Muslim” is a complex identity formation process that involves negotiating what is considered “Islamic” or “non-Islamic” selves in various localized and globalized contexts. At the crossroad of Islam and popular culture, divergent Muslim cultural producers influence how contemporary Muslim cultures and identities are produced and negotiated in both normative and disruptive ways. Using “celebrity” as a cultural formation with a social function, this article examines shifting dynamics, contradictions, tensions, and negotiation processes within the Muslim cultural production fields (both physical and virtual) that involve “dominant” popular Islamic preachers in northern Nigeria and “emerging” Muslim superstars in the Kannywood entertainment industry. By examining how some popular Islamic preachers (who are opposed to Kannywood celebrity culture) have transformed into religious celebrities themselves, and how Kannywood superstars crafted their identities as Muslim celebrities, the article shows that an assertion of one’s Muslim identity in a cultural setting dominated by Islamist movements does not necessarily indicate an endorsement of those movements’ reform agendas. Instead, it can challenge those movements’ interpretations of Islam through alternative ways of being Muslim in subtle ways – a dynamic that reveals processes at work in the reconstruction of “being Muslim” in the contemporary world.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.