高行健《流浪精神与形而上学思想》第1-9首诗的汉译

Q3 Social Sciences
M. Lee, Gao Xingjian
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引用次数: 0

摘要

2000年诺贝尔文学奖获得者高行健在为他的大型歌剧《雪花》排练时心脏骤停,该剧原定于2002年底在台北国家歌剧院首演。他康复了,在一位联合导演的帮助下,歌剧如期首演,然后他回到巴黎,在周末执导他的《四重奏》的法国喜剧首演。他在2003年2月和3月接受了手术,但很快又回到了工作岗位。2003年被马赛市定为“高行健年”,他将在体育馆执导新剧《死亡之歌》,然后在马赛歌剧院执导《八月雪》。正是在为前者排练时,他再次倒下并住院:该剧由罗曼·博宁联合执导,2003年9月23日至26日。当年早些时候,高艺术作品的大型展览已经举行,但《雪》在八月的演出被推迟了。在2004年的大部分时间里,他有时会写诗,其中一些后来他为自己的作品集《流浪精神与形而上学思想》(2012)进行了润色或改写。《流浪的精神与形而上学的思想》(2012)前9首诗的中英文译本由著名翻译家李翻译而成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Translation from Chinese of Poems 1–9 from 'Wandering Spirit and Metaphysical Thoughts' by Gao Xingjian
The 2000 Nobel Laureate for Literature, Gao Xingjian, suffered cardiac arrest while directing rehearsals for his mega-scale opera Snow in August that was due to premiere in late 2002 at the National Opera House, Taipei. He recovered, and the opera premiered as scheduled with the help of a co-director before he returned to Paris to direct the Comedie Francais premiere of his Quatre quatuors pour un week-end . He underwent surgery in February and March of 2003, but was soon again back at work. The year 2003 had been designated “Gao Xingjian Year” by the City of Marseille, and he would direct his new play Le Queteur de la Mort at Theâtre du Gymnase, and then his Snow in Augus t at Opera de Marseille. It was during rehearsals for the former that he collapsed again, and was hospitalized: the play was co-directed by Romain Bonnin, 23–26 September 2003. Large exhibitions of Gao’s artworks had been held earlier that year, but the performance of Snow in August was postponed. During his recuperation for most of 2004, he sometimes wrote poems, some of which he later polished or rewrote for his collection Wandering Spirit and Metaphysical Thoughts (2012). These translations from the Chinese into English of the first 9 poems in  Wandering Spirit and Metaphysical Thoughts  (2012) are by acclaimed translator Mabel Lee.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
4
审稿时长
52 weeks
期刊介绍: PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.
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