18世纪的乌克兰与波罗的海的苏联神话的平行

Q4 Arts and Humanities
Kostyantyn Rakhno
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引用次数: 0

摘要

这篇文章专门讲述了苏维乌斯的故事,它包含在约翰·马拉拉斯(John Malalas) 13世纪编年表的西鲁塞尼亚译本中。1261年的这篇文章反映了波罗的海的神话传统,长期以来一直是学术研究的主题。神话人物苏维乌斯被描述为死者通往地狱之路的向导。在对自己进行了一系列实验之后,他介绍了焚烧尸体并向异教神灵献祭的习俗。比较研究表明,他是第一个死去的人,为下一代人开辟了通往来世的道路,成为这个地下世界的统治者。显然,对波罗的海诸神的崇拜源于苏维乌斯给儿子讲的关于死亡经历的故事。他是将死者火化的立陶宛人、亚特维格人和普鲁士人的共同祖先。在讲述了苏维乌斯的故事之后,编年史家谴责了立陶宛邻居的异教信仰和习俗。这个神话的某些元素在乌克兰文化人物和教育作家米特罗凡·多夫加列夫斯基(Mytrofan Dovgalevsky)的复活节戏剧插曲中被保留了下来。然而,这段乌克兰文描述的是一个白俄罗斯人。父亲死了,他的儿子们让他复活,以一种滑稽的方式父亲告诉他的儿子们他在阴间经历了什么。这个故事反映了对基督教形象的流行的、半异教徒的看法,根据多夫加列夫斯基的说法,这增强了喜剧效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An 18th Century Ukrainian Parallel to the Baltic Myth of Sovius
The article is devoted to the story of Sovius, which is contained in the Western Ruthenian translation of the 13th century Chronograph by John Malalas. This text of 1261 reflects the Baltic mythological tradition and has long been the subject of academic study. The mythological character Sovius is described as the guide of the dead on the path to Hell. After a series of experiments on himself, he introduces the custom of burning bodies and making sacrifices to the pagan gods. Comparative studies reveal the idea of him as being the first to die, opening the way to the afterlife for the next generation of people and becoming the ruler of this underworld. Apparently the worship of the Baltic deities arose from Sovius’ stories to his son about the experience of dying. He is the common ancestor of the Lithuanians, Yatvyags and Prussians, who practice cremation of the dead. After relating the tale of Sovius, the chronographer condemns the pagan beliefs and customs of the Lithuanian neighbours. Certain elements of this myth have been preserved in the interlude within the Easter drama of the Ukrainian cultural figure and educational writer, the priest-monk Mytrofan Dovgalevsky. However, this Ukrainian text describes a Belarusian. The father dies, his sons resurrect him and in a comical style the father tells his sons what he had to go through in that underworld. This story reflects the popular, semi-pagan perception of Christian images, which according to Dovgalevsky enhances the comic effect.
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来源期刊
Slavistica Vilnensis
Slavistica Vilnensis Arts and Humanities-Language and Linguistics
CiteScore
0.30
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发文量
13
审稿时长
24 weeks
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