“欺骗名人”

IF 0.2 2区文学 0 LITERATURE

NINETEENTH-CENTURY LITERATURE Pub Date : 2021-09-01 DOI:10.1525/ncl.2021.76.2.163

N. Caputo

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引用次数: 0

摘要

Nicoletta Caputo，“‘欺骗名人’:莎士比亚对埃德蒙·基恩的模仿”(第163-191页)浪漫主义时代，尤其是戏剧，在名人研究中占有重要地位。埃德蒙·基恩是当时最著名的演员，也是最杰出的莎士比亚诠释者。然而，基恩也是臭名昭著的。在他的个人生活中，他非常爱暴露自己，挥霍无度，喜欢丑闻。他的标志性舞台角色是理查三世，1825年1月，由于一场刑事谈话的审判，这位演员成为了媒体猛烈模仿的对象，他多年来成功演绎的这个角色和其他莎士比亚角色突然被用来攻击他。这篇文章考察了为这个场合制作的基于莎士比亚的基恩的口头和视觉模仿，重点是在这件事中对莎士比亚的多层次挪用(或挪用)。

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“Spoofing Celebrities”

Nicoletta Caputo, “‘Spoofing Celebrities’: Shakespearean Parodies of Edmund Kean” (pp. 163–191) The Romantic age, and theater in particular, figure large in celebrity studies. Edmund Kean was the most celebrated actor and the preeminent Shakespearean interpreter of the time. Kean, however, was also straightforwardly notorious. Exceedingly exhibitionist and extravagant in his personal life, he reveled in scandal. His signature stage role was Richard III, and when, in January 1825, the actor became the target of ferocious parody in the press in consequence of a trial for criminal conversation, this and other Shakespearean roles that he had successfully interpreted over the years were suddenly used to attack him. The essay examines the verbal and visual parodies of Kean based on Shakespeare that were produced for the occasion, focusing on the multilevel appropriation (or misappropriation) of the Bard in the affair.

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来源期刊

NINETEENTH-CENTURY LITERATURE LITERATURE-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： From Ozymandias to Huckleberry Finn, Nineteenth-Century Literature unites a broad-based group of transatlantic authors and poets, literary characters, and discourses - all discussed with a keen understanding of nineteenth -century literary history and theory. The major journal for publication of new research in its field, Nineteenth-Century Literature features articles that span across disciplines and explore themes in gender, history, military studies, psychology, cultural studies, and urbanism. The journal also reviews annually over 70 volumes of scholarship, criticism, comparative studies, and new editions of nineteenth-century English and American literature.