{"title":"马克·麦克利兰的《上传》(2012)","authors":"Carmen Laguarta-Bueno","doi":"10.18172/jes.5562","DOIUrl":null,"url":null,"abstract":"In recent years and, in light of the latest developments in the field of neurotechnology, some critics have claimed that mind uploading could become technically feasible in a not-too-distant future. While transhumanist critics embrace this procedure and dream of a postbiological future in which human beings possess greater cognitive, emotional, and sensorial abilities, the critical posthumanists warn of the risks inherent to the idea of leaving biology behind to lead a virtual life in cyberspace. Significantly, these warnings reverberate in some twenty-first century cultural productions such as Mark McClelland’s Upload (2012), a novel that is also representative of an emerging trend of SF novels written by tech professionals. Although the novel may seem to be at first a defense of simulated life, this work aims to prove that McClelland’s narrative choices ultimately uncover a critical posthumanist view of embodiment as an essential part of human identity.","PeriodicalId":35112,"journal":{"name":"Journal of English Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mark McClelland’s \\\"Upload\\\" (2012)\",\"authors\":\"Carmen Laguarta-Bueno\",\"doi\":\"10.18172/jes.5562\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In recent years and, in light of the latest developments in the field of neurotechnology, some critics have claimed that mind uploading could become technically feasible in a not-too-distant future. While transhumanist critics embrace this procedure and dream of a postbiological future in which human beings possess greater cognitive, emotional, and sensorial abilities, the critical posthumanists warn of the risks inherent to the idea of leaving biology behind to lead a virtual life in cyberspace. Significantly, these warnings reverberate in some twenty-first century cultural productions such as Mark McClelland’s Upload (2012), a novel that is also representative of an emerging trend of SF novels written by tech professionals. Although the novel may seem to be at first a defense of simulated life, this work aims to prove that McClelland’s narrative choices ultimately uncover a critical posthumanist view of embodiment as an essential part of human identity.\",\"PeriodicalId\":35112,\"journal\":{\"name\":\"Journal of English Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of English Studies\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.18172/jes.5562\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of English Studies","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.18172/jes.5562","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
In recent years and, in light of the latest developments in the field of neurotechnology, some critics have claimed that mind uploading could become technically feasible in a not-too-distant future. While transhumanist critics embrace this procedure and dream of a postbiological future in which human beings possess greater cognitive, emotional, and sensorial abilities, the critical posthumanists warn of the risks inherent to the idea of leaving biology behind to lead a virtual life in cyberspace. Significantly, these warnings reverberate in some twenty-first century cultural productions such as Mark McClelland’s Upload (2012), a novel that is also representative of an emerging trend of SF novels written by tech professionals. Although the novel may seem to be at first a defense of simulated life, this work aims to prove that McClelland’s narrative choices ultimately uncover a critical posthumanist view of embodiment as an essential part of human identity.