情绪曲线:创造性与方法论“契合”或“通约性”

Jimmy Donaghey, F. Magowan
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引用次数: 0

摘要

“情绪曲线”是一种创造性的方法,要求研究参与者以图形形式表达他们情绪反应随时间的变化,反映给定的时间段或特定的活动或事件(在我们的情况下,是基于音乐的活动)。该方法是我们与社区音乐制作非政府组织“无国界音乐家”在北爱尔兰德里/伦敦德里的“音乐桥”参与式音乐和动作训练项目中进行研究的一部分。本文讨论了我们研究的“冲突后”背景,以及我们对预设和参与性行动研究原则的参与,如何影响了这种创新方法的发展,特别注意实现与我们研究合作伙伴的实践、目标和精神的方法“适配”(或可公度)。这种创造性和“合适”(或相称)的方法是与我们的研究伙伴进行“相互变革对话”的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotion Curves: Creativity and Methodological “Fit” or “Commensurability”
The “emotion curve” is a creative methodology that asks research participants to express in graphic form changes in their emotional responses over time, reflecting on a given time period or on a particular activity or event (in our case, music-based activities). This methodology was developed as part of our research with community music-making NGO Musicians Without Borders at their “Music Bridge” participatory music and movement training program in Derry/Londonderry, Northern Ireland. This article discusses how the “post-conflict” context of our research, and our engagement with the principles of prefiguration and participatory action research, shaped the development of this innovative methodology, paying particular attention to achieving methodological “fit” (or commensurability) with the practices, objectives, and ethos of our research partners. This creative and “fitting” (or commensurate) methodology has been the basis of a “mutually transformative dialog” with our research partners.
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