成像生物学。

Emmanuel G Reynaud
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引用次数: 2

摘要

在洞穴壁上,一个离散但令人惊叹的剪影穿过凹凸不平的表面。它屹立了4.5万多年,见证了人类对周围世界的永恒需求。供养我们的生物世界是灵感的主要来源,也是创造我们每天使用的成像系统的基本要素。但一旦被技术术语和数字和算法的雷雨遮蔽,这些起源就会逐渐消失在背景中。这篇小文章是关于生物学成像的一些奇妙的小故事,不是关于视觉和眼睛起源的争论而是关于植物和动物的,它们为生物成像的新维度打开了大门,为生物世界提供了完整的图像。以眼还眼。本文是Theo Murphy会议议题“超分辨率结构照明显微镜(第二部分)”的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

The biology of imaging.

The biology of imaging.

The biology of imaging.

The biology of imaging.
On the cave wall, a discrete but stunning silhouette runs across the uneven surface. Standing still for more than 45 000 years, this is a witness to the ever-enduring need of mankind to image the world around us. The biological world that feeds us is a primary source of inspiration but also an essential element to creating the imaging systems we use every day. But once obscured by the technological jargon and the thunderstorm of numbers and algorithms, those origins fade away into the background. This small piece is about a few marvellous little stories about the biology of imaging, not the debate about the origin of vision and the eye but rather about plants and animals that open the world to new dimensions of biological imaging to fully image the biological world. An eye for an eye. This article is part of the Theo Murphy meeting issue ‘Super-resolution structured illumination microscopy (part 2)’.
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