“我们尽了很大的努力来展现女性”:现代美国体育场中女性的视觉表现。

IF 0.6 4区 教育学 Q1 HISTORY
Benjamin D Lisle
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引用次数: 5

摘要

现代体育场在20世纪60年代和70年代在美国各地建成,通常是为了取代那些破旧的、汽车无法进入的、靠近非裔美国人社区的旧棒球场。体育推广公司觊觎着最近搬到郊区的富裕的、以消费为导向的白人客户。为了吸引这些顾客,主办者试图富有想象力地重建体育场空间——从城市的、旧的、肮脏的、喧闹的、男性化的地方到郊区的、新的、干净的、有序的、女性友好的空间。女性的吸引力——作为战后富裕和家庭化社会秩序的象征——是这一战略的核心。女性在新体育场空间的视觉表现对于体育场空间的富有想象力的重新配置和现代化至关重要。这篇文章探讨了它们的使用,特别是在休斯敦Astrodome。体育场出版物和当地报纸使用女性的照片和插图来从概念上重塑体育场,将独特的战后现代意识形态延伸到体育场空间,赋予舒适,消费和体面的行为特权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"We make a big effort to bring out the ladies": visual representations of women in the modern American stadium.

Modern stadiums were constructed across the United States in the 1960s and 1970s, usually to replace old baseball parks that were run-down, inaccessible by automobile, and located near African American neighbourhoods. Sports promoters coveted affluent, white, consumption-oriented customers who had recently moved to the suburbs. To attract these customers, promoters attempted to imaginatively reconstitute stadium space - from urban, old, dirty, rambunctious, masculine places to suburban, new, clean, orderly, female-friendly spaces. The attraction of women - as signifiers of an affluent and domesticated postwar social order - was central to this strategy. Visual representations of women in new stadium spaces were essential to the imaginative reconfiguration and modernisation of stadium space. This essay examines their use, particularly in the Houston Astrodome. Stadium publications and local newspapers used photographs and illustrations of women to conceptually reinvent the stadium, extending a distinctively post-war, modern ideology privileging comfort, consumption and respectable behaviour into stadium space.

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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
85
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