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引用次数: 0
摘要
本文旨在探讨意大利极右音乐的起源及其对形成一种新的相应青年运动的贡献,这种运动至少在一定程度上独立于法西斯政权的历史和政治遗产。这项研究是通过分析三个关键因素来进行的,这些因素有助于创造一个更适合20世纪60年代和70年代背景的不同背景。第一个是关于极右翼另类音乐的发展,作为1968年学生革命中保守和进步文化的反运动;第二部分关注的是托尔金作品的文化挪用,更广泛地说,是意大利极右翼对史诗和奇幻类型的挪用;第三个则考虑到了极右翼另类音乐在“铅年”(Years of Lead)期间日益激进化。这一阶段为流派和艺术家的国际网络的发展铺平了道路,这些流派和艺术家现在在坚持和加强极右音乐方面发挥着至关重要的作用,特别是在年轻听众中。
The “other Sixty-Eight”. Historical and cultural roots of far-right music in Italy (1968-1977)
The article aims to explore the origins of far-right music in Italy and its contribution to the formation of a new and corresponding youth movement, which constitutes a phenomenon at least partly independent of the historical and political legacy of the Fascist regime. This study is conducted by analysing three key elements that contributed to the creation of a different background, more suited to the context of the 1960s and 1970s. The first concerns the development of far-right alternative music as a counter-movement to both the conservative and progressive cultures within the 1968 student revolution; the second focuses on the cultural appropriation of Tolkien’s works and, more generally, of the epic and fantasy genre by the Italian far right; and the third considers the increased radicalisation of far-right alternative music during the Years of Lead. This phase paved the way for the development of an international network of genres and artists that now play a crucial role in the persistence and strengthening of far-right music, particularly among younger audiences.