乐队感觉：在声音创作和声音修辞上很用心

Q1 Arts and Humanities

Computers and Composition Pub Date : 2025-10-10 DOI:10.1016/j.compcom.2025.102960

Joe Schicke , Scott Weedon

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引用次数: 0

摘要

共振作为一种理论建构，以物质性和关系性为中心，作为修辞的构成要素。本文通过对数字音乐制作空间的实地研究，考察了共鸣的构成以及意图在这一过程中所起的作用。通过对一位音乐艺术家和两位技术合作者的观察和访谈，我们揭示了在追求共鸣的创作冲动和技术调解中产生的意图。最后，我们考虑了修辞学理论和声音写作实践的启示。

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The band feeling: getting intentional about soundwriting and sonic rhetorics

Resonance as a theoretical construct centers materiality and relationality as rhetorically constitutive. In this paper, based on field research in spaces of digital music production, we examine the composition of resonance and the role that intention plays in the process. Through observation and interview of a musical artist and two technical collaborators, we uncover intention as emergent from creative impulse and technological mediation in pursuit of resonance. We conclude by considering implications for rhetorical theory and soundwriting praxis.

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来源期刊

Computers and Composition Arts and Humanities-Language and Linguistics

CiteScore

4.30

自引率

0.00%

发文量

审稿时长

25 days

期刊介绍： Computers and Composition: An International Journal is devoted to exploring the use of computers in writing classes, writing programs, and writing research. It provides a forum for discussing issues connected with writing and computer use. It also offers information about integrating computers into writing programs on the basis of sound theoretical and pedagogical decisions, and empirical evidence. It welcomes articles, reviews, and letters to the Editors that may be of interest to readers, including descriptions of computer-aided writing and/or reading instruction, discussions of topics related to computer use of software development; explorations of controversial ethical, legal, or social issues related to the use of computers in writing programs.