丹麦电影和电视剧在没有胜算的情况下？分析年轻观众的喜好和国内行业的反应

IF 1.1 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2025-09-30 DOI:10.1177/17496020251383859

Jakob Freudendal, Christa Lykke Christensen, Pia Majbritt Jensen

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引用次数: 0

摘要

本文借鉴媒体心理学的动机概念，探讨了年轻观众对电影和电视剧偏好背后的原因，并考察了两家丹麦公共媒体机构如何回应这些偏好。在方法上，分析基于对20名儿童的流动人种学研究和对两个媒体机构主要人员的访谈。文章发现，尽管国内机构重塑了他们的做法，以满足年轻观众的喜好，但丹麦的屏幕内容在目标年龄组中处于劣势，而美国的电影和电视剧提供商则以满足人们对相关和迷人内容的偏好而占主导地位。

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Danish films and series in a no-win-situation? Analysing the preferences of young audiences and domestic industry responses

Drawing on the media psychological concept of motivation, this article explores the reasons behind young audience’s preferences for films and series and examines how two Danish public media institutions have responded to these preferences. Methodologically, the analyses are based on mobile ethnographic studies of 20 children and interviews conducted with key personnel within the two media institutions. The article finds that—despite domestic institutions reshaping their practices to serve young audiences’ preferences—Danish screen content is disadvantaged within a target age group, where US providers of films and series dominate by satisfying preferences for relatable and fascinating content.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.