{"title":"“沙漠来了!”:通过个人档案跟踪转换","authors":"Maria João Fonseca","doi":"10.1007/s10502-025-09509-6","DOIUrl":null,"url":null,"abstract":"<div><p>With the Sahara Desert expansion, climate changes and aridity have intensified yearly in Portugal. In 1975, landscape architect Gonçalo Ribeiro Telles warned about this reality, stating “Man precedes the desert; the desert succeeds him” (quoted by heart), urging comprehension of the landscape’s social and biophysical structure limits, which hinge on the perception of each reality or ecological capacity; otherwise, the desert overcomes. This article delves into the archival experience of Gonçalo Ribeiro Telles’ work, exploring desert and landscape as the paradoxes of the hidden memory of a personal archive that is not accessible or the reflection of the creator that emerges from the archival process. Three topics are discussed: Void as a place of memory. Deserts, like archives, embody a sense of material continuity while, at the same time, they evoke an unsettling emptiness. Our standpoint transforms their essence, giving access to other times and memories only through traces and their reconstitution. Embark on a journey. While archives are plentiful with research material, the journey to navigate and uncover the meaningful connections within can resemble an expedition into the vastness of a desert where access to information occurs at each activation, influenced by social or personal factors and concerns. Nothingness becomes fullness when in context. Archives and landscapes are an expression of relationship networks, and our future is built upon the recognition of this network, the processes to access memory, but also rely on affectivity and the care we pay to them.</p></div>","PeriodicalId":46131,"journal":{"name":"ARCHIVAL SCIENCE","volume":"25 4","pages":""},"PeriodicalIF":2.1000,"publicationDate":"2025-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10502-025-09509-6.pdf","citationCount":"0","resultStr":"{\"title\":\"“The desert is coming!”: tracing transitions through a personal archive\",\"authors\":\"Maria João Fonseca\",\"doi\":\"10.1007/s10502-025-09509-6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>With the Sahara Desert expansion, climate changes and aridity have intensified yearly in Portugal. In 1975, landscape architect Gonçalo Ribeiro Telles warned about this reality, stating “Man precedes the desert; the desert succeeds him” (quoted by heart), urging comprehension of the landscape’s social and biophysical structure limits, which hinge on the perception of each reality or ecological capacity; otherwise, the desert overcomes. This article delves into the archival experience of Gonçalo Ribeiro Telles’ work, exploring desert and landscape as the paradoxes of the hidden memory of a personal archive that is not accessible or the reflection of the creator that emerges from the archival process. Three topics are discussed: Void as a place of memory. Deserts, like archives, embody a sense of material continuity while, at the same time, they evoke an unsettling emptiness. Our standpoint transforms their essence, giving access to other times and memories only through traces and their reconstitution. Embark on a journey. While archives are plentiful with research material, the journey to navigate and uncover the meaningful connections within can resemble an expedition into the vastness of a desert where access to information occurs at each activation, influenced by social or personal factors and concerns. Nothingness becomes fullness when in context. Archives and landscapes are an expression of relationship networks, and our future is built upon the recognition of this network, the processes to access memory, but also rely on affectivity and the care we pay to them.</p></div>\",\"PeriodicalId\":46131,\"journal\":{\"name\":\"ARCHIVAL SCIENCE\",\"volume\":\"25 4\",\"pages\":\"\"},\"PeriodicalIF\":2.1000,\"publicationDate\":\"2025-09-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://link.springer.com/content/pdf/10.1007/s10502-025-09509-6.pdf\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVAL SCIENCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://link.springer.com/article/10.1007/s10502-025-09509-6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"INFORMATION SCIENCE & LIBRARY SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVAL SCIENCE","FirstCategoryId":"1085","ListUrlMain":"https://link.springer.com/article/10.1007/s10502-025-09509-6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INFORMATION SCIENCE & LIBRARY SCIENCE","Score":null,"Total":0}
“The desert is coming!”: tracing transitions through a personal archive
With the Sahara Desert expansion, climate changes and aridity have intensified yearly in Portugal. In 1975, landscape architect Gonçalo Ribeiro Telles warned about this reality, stating “Man precedes the desert; the desert succeeds him” (quoted by heart), urging comprehension of the landscape’s social and biophysical structure limits, which hinge on the perception of each reality or ecological capacity; otherwise, the desert overcomes. This article delves into the archival experience of Gonçalo Ribeiro Telles’ work, exploring desert and landscape as the paradoxes of the hidden memory of a personal archive that is not accessible or the reflection of the creator that emerges from the archival process. Three topics are discussed: Void as a place of memory. Deserts, like archives, embody a sense of material continuity while, at the same time, they evoke an unsettling emptiness. Our standpoint transforms their essence, giving access to other times and memories only through traces and their reconstitution. Embark on a journey. While archives are plentiful with research material, the journey to navigate and uncover the meaningful connections within can resemble an expedition into the vastness of a desert where access to information occurs at each activation, influenced by social or personal factors and concerns. Nothingness becomes fullness when in context. Archives and landscapes are an expression of relationship networks, and our future is built upon the recognition of this network, the processes to access memory, but also rely on affectivity and the care we pay to them.
期刊介绍:
Archival Science promotes the development of archival science as an autonomous scientific discipline. The journal covers all aspects of archival science theory, methodology, and practice. Moreover, it investigates different cultural approaches to creation, management and provision of access to archives, records, and data. It also seeks to promote the exchange and comparison of concepts, views and attitudes related to recordkeeping issues around the world.Archival Science''s approach is integrated, interdisciplinary, and intercultural. Its scope encompasses the entire field of recorded process-related information, analyzed in terms of form, structure, and context. To meet its objectives, the journal draws from scientific disciplines that deal with the function of records and the way they are created, preserved, and retrieved; the context in which information is generated, managed, and used; and the social and cultural environment of records creation at different times and places.Covers all aspects of archival science theory, methodology, and practiceInvestigates different cultural approaches to creation, management and provision of access to archives, records, and dataPromotes the exchange and comparison of concepts, views, and attitudes related to recordkeeping issues around the worldAddresses the entire field of recorded process-related information, analyzed in terms of form, structure, and context