帮助我学习!学习时听音乐的习惯

IF 1.6 3区 心理学 0 MUSIC
Yiting Cheah, William M Randall, Eduardo Coutinho
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引用次数: 0

摘要

先前的研究表明,背景音乐(BgM)对认知表现的影响受到各种任务、音乐和听者特定因素的影响。然而,目前尚不清楚这些影响是否反映在现实生活中的音乐听环境中,过去的研究揭示了各种不一致的情况。在本研究中,我们探讨了大学生在学习过程中的音乐聆听习惯,将回顾性调查与移动体验抽样方法相结合,以获得更多基于情境的行为信息,并试图探索之前的矛盾发现。我们的研究结果表明:(a)随着年龄的增长,BgM学习的可能性降低;(b)在学习时(与其他情况相比),学生更多地听器乐、更柔和、更慢、能量和价态较低的音乐;(c)学生在执行(自我感知的)困难的学习任务时听音乐,音乐的能量水平随着感知任务难度的增加而降低;(d)学生使用BgM来平衡音乐对学习结果的情感和认知影响。我们的结论是,为了更好地理解BgM在情感和认知目标之间的相互作用中的作用,以及它们可能有利于或阻碍认知表现的方式,未来的研究应该在更长的认知参与时间内探索音乐听习惯。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Help me study! Music listening habits while studying
Previous research showed that the impact of background music (BgM) on cognitive performance is influenced by various task-, music-, and listener-specific factors. However, it remains unclear whether these impacts are mirrored in real-life music listening contexts, and past research has revealed various inconsistencies. In this research, we explored university students’ music-listening habits while studying, combining retrospective surveys with a mobile experience sampling methodology to obtain more context-based information about their behaviours, and tried to explore previous contradictory findings. Our results indicate that (a) the likelihood of studying with BgM decreases with age; (b) while studying (compared to other contexts), students listen more to instrumental, softer, slower, and lower energy and valence music; (c) students listen to music while performing (self-perceived) difficult study tasks, in which the music’s energy level decreases with increased perceived task difficulty; and (d) students use BgM to balance between the affective and cognitive impact of music on their study outcome. We conclude by suggesting that to better understand BgM’s role in the interplay between affective and cognitive goals, and the ways they may favour or hinder cognitive performance, future research should explore music-listening habits over longer durations of cognitive engagement.
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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