[壁画、医学和记忆:IMSS的文化遗产作为制度认同的产生者]。

Ma Del Pilar Pacheco-Zavala, Raúl Hernández-Ordóñez, Rafal Ludwik Smolinski-Kurek
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引用次数: 0

摘要

墨西哥社会保障研究所(IMSS)保护着墨西哥最重要的公共艺术收藏品之一,包括壁画、雕塑和建筑作品,分布在全国各地的医疗、行政和社会设施中。这种艺术遗产不仅具有美学价值,而且还作为产生该研究所以及拉丁美洲社会医学的价值观的视觉和象征性表达。在其整个历史轨迹中,国际社会科学院利用机构艺术作为建立集体认同的工具,体现了团结、公平、健康权和社会正义等原则,这些原则有助于加强归属感。本文以纪实和反思的方式回顾了艺术遗产在机构身份建构中的作用,并强调了其历史、象征和社会功能。它反映了从当代角度重新解释这一遗产的重要性,这一遗产促进了其传播、挪用和以人性化为目标的策略的使用,以及其教学、社区和象征作用。文章的结论是,保护、促进和展示墨西哥社会保障体系的人文主义原则,是巩固制度认同的关键策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
[Murals, medicine, and memory: The cultural heritage of IMSS as a generator of institutional identity].

The Mexican Institute for Social Security (IMSS) safeguards one of the most significant public art collections in Mexico, composed of murals, sculptures, and architectural works located throughout its medical, administrative, and social facilities across the country. This artistic heritage not only holds aesthetic value but also serves as a visual and symbolic expression of the values that gave rise to the Institute, as well as those of Latin American social medicine. Throughout its historical trajectory, IMSS has used institutional art as an instrument for building a collective identity, embodying principles such as solidarity, equity, the right to health, and social justice, principles that have contributed to strengthening a sense of belonging. This article presents a documentary and reflective review of the role of artistic heritage in the construction of institutional identity, with emphasis on its historical, symbolic, and social functions. It reflects on the importance of reinterpreting this heritage from a contemporary perspective that promotes its dissemination, appropriation, and use in strategies aimed at humanization, as well as its pedagogical, communal, and symbolic roles. The article concludes that preserving, promoting, and making visible IMSS's artistic heritage is a key strategy for consolidating an institutional identity aligned with the humanistic principles that shaped Mexico's social security system.

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