与在屏幕上观看相同的表演相比,观看现场表演可以增强主观和生理上的情绪反应

IF 2.9 Q3 NEUROSCIENCES
Damien Gabriel , Julie Devos , Sandrine Chapuis , Alexandre Comte , Pierre-Edouard Billot
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引用次数: 0

摘要

众所周知,与录制版本相比,现场表演能唤起更强烈的情感和生理反应。然而,将表演者身体存在的影响与其他环境因素隔离开来仍然是一项挑战。本研究调查了现场表演所引起的特定情感和生理反应,并将其与在同一剧院在受控条件下放映的相同录制版本进行了比较。27名参与者(19名女性,8名男性,年龄21-67岁)参加了5分钟30秒的结合舞蹈,唱歌和吉他的表演,现场或视频放映。这两种格式都是在相同的空间条件下观看的,屏幕位于现场表演发生的地方。观看顺序是平衡的。所有参与者都完成了每个版本节目前后情绪状态的自我报告问卷。一部分参与者配备了脑电图耳机、皮肤电活动传感器和光电脉搏描记仪。自我报告的数据表明,与录制版本相比,现场表演后的快乐和清醒程度明显更高,而两种格式都同样降低了焦虑水平。研究发现,参与者的屏幕观看习惯与他们的情感投入之间存在显著的相关性,这表明频繁接触数字表演可能会降低对现场体验的情感敏感性。生理测量显示了不同的模式:皮肤电导反应频率在现场表演的最后一段显著增加,但在视频条件下没有,表明更高的情绪唤醒。在两种情况下,随着音乐强度的增加,心率都会增加,而脑电图数据显示,在现场表演期间,唤醒水平会降低,这可能反映了更深层次的认知吸收。这项研究提供了证据,证明即使在相同的观看条件下,现场表演也比录音表演更能引起情感和生理上的投入。研究结果强调了表演者与观众互动的独特影响,并表明数字媒体无法完全复制现场体验的情感丰富性。未来的研究应进一步探讨虚拟环境中情绪传递的机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Watching live performances enhances subjective and physiological emotional responses compared to viewing the same performance on screen
Live performances are known to evoke stronger emotional and physiological responses compared to recorded versions. However, isolating the effect of the physical presence of performers from other environmental factors remains a challenge. This study investigates the specific emotional and physiological responses elicited by a live performance compared to its identical recorded version, projected in the same theater under controlled conditions. Twenty-seven participants (19 females, 8 males, aged 21–67) attended a 5-minute 30-second performance combining dance, singing, and guitar, presented either live or as a video projection. Both formats were viewed under identical spatial conditions, with the screen positioned where the live performance took place. The viewing order was counterbalanced. Participants all completed self-report questionnaires on emotional states before and after each version of the show. A subset of participants was equipped with EEG headsets, electrodermal activity sensors, and photoplethysmography devices. Self-reported data indicated significantly higher pleasure and wakefulness after the live performance compared to the recorded version, while both formats equally reduced anxiety levels. A significant correlation was found between participants' screen viewing habits and their emotional engagement, suggesting that frequent exposure to digital performances might dampen emotional sensitivity to live experiences. Physiological measures revealed distinct patterns: skin conductance response frequency increased significantly in the final segment of the live performance but not in the video condition, indicating higher emotional arousal. Heart rate increased with musical intensity in both conditions, while EEG data showed reduced arousal levels during the live performance, possibly reflecting deeper cognitive absorption. This study provides evidence that live performances elicit stronger emotional and physiological engagement compared to their recorded counterparts, even under identical viewing conditions. The findings highlight the unique impact of performer-audience interaction and suggest that digital media cannot fully replicate the emotional richness of live experiences. Future research should further explore the mechanisms underlying emotional transmission in virtual environments.
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来源期刊
IBRO Neuroscience Reports
IBRO Neuroscience Reports Neuroscience-Neuroscience (all)
CiteScore
2.80
自引率
0.00%
发文量
99
审稿时长
14 weeks
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