“隐藏的宝石”(Lidji et al., 2007)和具身认知的未来方向。

IF 2.3 3区 心理学 Q2 PSYCHOLOGY
Valter Prpic
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引用次数: 0

摘要

尽管Lidji et al.(2007)和Rusconi et al.(2006)的实验和发现非常相似,但Lidji及其同事的工作中有一个细节对具身认知研究具有重要意义。具体来说,Lidji等人认为反应码的垂直空间-音高关联效应是由手的位置调节的,在音乐家,尤其是钢琴家身上表现得更强。正如作者所提出的,这可能是由于键盘结构的影响,因此文章的标题为“头脑中的钢琴”。在我看来,这是Lidji等人研究的一个关键发现,值得进一步调查和讨论。(PsycInfo Database Record (c) 2025 APA,版权所有)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A "hidden gem" (Lidji et al., 2007) and future directions in embodied cognition.

Although the experiments and findings of Lidji et al. (2007) and Rusconi et al. (2006) are very similar, there is a detail in Lidji and colleagues' work with important implications for embodied cognition research. Specifically, Lidji et al. suggest that the vertical Spatial-Pitch Association of Response Codes effect is modulated by hand position and is stronger in musicians, particularly pianists. As the authors proposed, this is likely due to the influence of the keyboard structure, hence the article's title, "A Piano in the Head." In my view, this is a key finding of Lidji et al.'s study that is worth further investigation and discussion. (PsycInfo Database Record (c) 2025 APA, all rights reserved).

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来源期刊
CiteScore
3.50
自引率
9.50%
发文量
145
审稿时长
4-8 weeks
期刊介绍: The Journal of Experimental Psychology: Human Perception and Performance publishes studies on perception, control of action, perceptual aspects of language processing, and related cognitive processes.
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