与野生动物的声音节奏相比,人类对全球声景的贡献更难以预测

IF 13.9 1区 生物学 Q1 ECOLOGY
Panu Somervuo, Tomas Roslin, Brian L. Fisher, Bess Hardwick, Deirdre Kerdraon, Dimby Raharinjanahary, Eric Tsiriniaina Rajoelison, Patrik Lauha, Lukas Griem, Petteri Lehikoinen, Pekka Niittynen, Esko Piirainen, Markus Lumme, Ville-Matti Riihikoski, Orlando Acevedo-Charry, Solny A. Adalsteinsson, Maaz Ahmad, Sandra Alcobia, Jón Aldará, Nigel R. Andrew, Sten Anslan, Alexandre Antonelli, Julieta Soledad Arena, Santiago Arroyo Almeida, Ines Aster, Hannu Autto, Anahi Aviles Gamboa, Joaquín Baixeras, Mario Baldauf, Rosario Balestrieri, Gaia Giedre Banelyte, Adrian Barrett, Pedro Beja, Thomas Olof Berg, Benjamin Bergerot, Elizabeth G. Biro, Pedro G. Blendinger, Loïc Bollache, Magda Bou Dagher Kharrat, Stephane Boyer, Erika Bridell, Martyn Brotherson, Leslie Robert Brown, Hannah L. Buckley, Erika Buscardo, Nokuphila Buthelezi, Luciano Cagnolo, Alice Calvente, Giovanni Capobianco, Laura Carreón-Palau, Suzanne Carriere, Bradley S. Case, Jenyu Chang, Juan Matías Chaparro, Chi-Ling Chen, Christine Chicoine, Madeleine Christensson, Francisco Collado Rosique, William Colom Montero, Ricardo do Sacramento da Fonseca, Luís P. Da Silva, Anamaria Dal Molin, Tad Dallas, Maria Carla de Francesco, Jorge Arturo Del Ángel-Rodríguez, Ricardo Díaz-Delgado, Thomas Dirnböck, Ika Djukic, Philile Dladla, Jeremías Domínguez Masciale, Thiago Dorigo, Errol Douwes, Torbjørn Ekrem, Helena Enderskog, Charlotta Erefur, Muhammad Fahad, Mohsen Falahati-Anbaran, Arielle Farrell, Gabriel Ferland, Emanuele Ferrari, Axa Figueiredo, Fernando Forero, Inga Freiberga, Andrea Frosch-Radivo, Luis Alberto Ganchozo Intriago, Laura Garzoli, Paola Giacomotti, Andros T. Gianuca, Olivier Gilg, Vladimir Gilg, Fanney Gísladóttir, Ryan Glowacki, Brigitte Gottsberger, Jocelyn Gregoire, Elli Groner, Patrícia Guedes, Aimee Michelle Guile, Peter Haase, Fazal Hadi, Magdalena Haidegger, Leivur Janus Hansen, Lars Holst Hansen, Reid Harrop, Harald Havnås, David Herrera Báez, Chris C. Y. Ho, Denise Hohenbühel, Marketa Houska Tahadlova, Jari Hänninen, Linda Höglund, Kolbrún Í Haraldsstovu, Elise Imbeau, Jasmin Inkinen, Masae Iwamoto Ishihara, Abigail C. Jackson, Gunnar Jansson, Rohit Jha, Gerald Kager, Rhea Kahale, Oula Kalttopää, Elizabeth Wanjiru Karai, Dave Karlsson, Andrea Kaus-Thiel, Asghar Khan, Qaisar Khan, Keishi Kimoto, Shadrack Chumo Kipngetich, Clemens Klante, Leif Klemedtsson, Mårten Klinth, Janne Koskinen, Matti Kotakorpi, Agnes-Katharina Kreiling, Irmgard Krisai-Greilhuber, Erik Kristensen, Sebastian König, Silke Langenheder, Kalevi Laurila, Pascaline Le Gouar, Nicolas Lecomte, Erin Lecomte, Paula Moraes Leitman, Jorge L. León-Cortés, Daijiang Li, John Loehr, Carlos Lopez-Vaamonde, Mehsen Makari, Gabriela Giselle Mangini, Michael Maroschek, Vanessa A. Mata, Shunsuke Matsuoka, Thais Mazzafera, Paul G. McDonald, Laura Meinert, Mayra Meléndez-González, Angela M. Mendoza-Henao, Sebastien Moreau, Jérôme Moreau, Jesper Mosbacher, Esteban Moyer, Anna Mrazova, Samantha Mteshane, Nancy Wangari Mungai, Gema Muñoz Herraiz, Andrea Murillo-Vázquez, Simona Musazzi, Marko Mutanen, Jörg Müller, Rebeca Navarro Canales, Monica Ndlovu, Annegret Nicolai, Armin Niessner, Jenni Nordén, Paweł Nowak, Erin O’Connell, Arianna Orru, Thomas Pagnon, Yurani Nayive Pantoja-Diaz, Mikko Pentinsaari, Sebastian Pilloni, Adrian Pinder, Thiago A. Pinheiro, Sergei Põlme, Luke L. Powell, Gisela Pröll, Paola Pulido-Santacruz, Enrique Queralt, Mark Tristan Quilantang, Kirsty Quinlan, Ricardo Ramirez, Juha Rankinen, Micaela Del Valle Rasino, Rui Rebelo, Wolfram Remmers, Franziska Retz, Evelin Reyes, Gonzalo Rivas Torres, Hanna M. K. Rogers, Inês T. Rosário, Sidney Rosário Da Rosàrio da Costa, Tobias Rütting, Johannes Sahlstén, Carole Saliba, Teppo Salmirinne, Katerina Sam, Douglas Santos, Margarida Santos-Reis, Michel Sawan, Benjamin Schattanek-Wiesmair, Pauliina Schiestl-Aalto, Niels Martin Schmidt, Sebastian Seibold, Rupert Seidl, Linda Seifert, Malibongwe Sithole, Elise Sivault, Jessica Smart, Ireneusz Smerczyński, Ayaka Soda, Renata S. Sousa-Lima, Angela Stanisci, Margaret C. Stanley, Daleen Steenkamp, Elisa Stengel, Stefan Stoll, Willem Maartin Strauss, Elisabeth Stur, Maija Sujala, Janne Sundell, Jónína Svavarsdóttir, Leho Tedersoo, Saana Tepsa, Maor Tiko Tikochinsky, Esa-Pekka Tuominen, Stefanie Tweraser, Catalina Ulloa Espinosa, Joni Uusitalo, Mikko Vallinmäki, Fabrice Vannier, Abigail Varela, Emma Vatka, Silja Veikkolainen, Karl Vernes, Phillip C. Watts, Per Weslien, Ciara Wirth, Jana Helga Wisniewski, Amanda B. Young, Robyn Övergaard, Otso Ovaskainen
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León-Cortés, Daijiang Li, John Loehr, Carlos Lopez-Vaamonde, Mehsen Makari, Gabriela Giselle Mangini, Michael Maroschek, Vanessa A. Mata, Shunsuke Matsuoka, Thais Mazzafera, Paul G. McDonald, Laura Meinert, Mayra Meléndez-González, Angela M. Mendoza-Henao, Sebastien Moreau, Jérôme Moreau, Jesper Mosbacher, Esteban Moyer, Anna Mrazova, Samantha Mteshane, Nancy Wangari Mungai, Gema Muñoz Herraiz, Andrea Murillo-Vázquez, Simona Musazzi, Marko Mutanen, Jörg Müller, Rebeca Navarro Canales, Monica Ndlovu, Annegret Nicolai, Armin Niessner, Jenni Nordén, Paweł Nowak, Erin O’Connell, Arianna Orru, Thomas Pagnon, Yurani Nayive Pantoja-Diaz, Mikko Pentinsaari, Sebastian Pilloni, Adrian Pinder, Thiago A. Pinheiro, Sergei Põlme, Luke L. Powell, Gisela Pröll, Paola Pulido-Santacruz, Enrique Queralt, Mark Tristan Quilantang, Kirsty Quinlan, Ricardo Ramirez, Juha Rankinen, Micaela Del Valle Rasino, Rui Rebelo, Wolfram Remmers, Franziska Retz, Evelin Reyes, Gonzalo Rivas Torres, Hanna M. K. 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引用次数: 0

摘要

在世界范围内,人类(人声)的声音增加了生物(生物声)和地球物理(地质声)起源的声音,人类的贡献包括语音和技术声(技术设备的声音)。为了描述社会对全球声景观的贡献,我们在6大洲的139个地点使用了被动式声学记录仪,在配对设计中连续3年对城市绿地和附近的原始地点进行采样。记录以鸟类物种丰富度和14个互补声学指标为特征。通过将每个指数与季节、昼夜、气候和人为因素联系起来,我们在这里表明,纬度、一天中的时间和一年中的哪一天都能预测生物多样性关键指标的很大一部分变化,而人类多样性(言语和交通)则显示出较不可预测的模式。与原始场地相比,城市绿地的声景更多地由技术主导,在不同频率和时间步长的声学能量方面多样性较低,安静的情况较少。我们得出的结论是,全球声景是由生物声中高度可预测的节奏形成的,加上地声和人声的噪音。在城市场所,动物经历了越来越嘈杂的声音背景,这对有效的交流构成了挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Human contributions to global soundscapes are less predictable than the acoustic rhythms of wildlife

Human contributions to global soundscapes are less predictable than the acoustic rhythms of wildlife

Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society’s contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design. Recordings were characterized by bird species richness and by 14 complementary acoustic indices. By relating each index to seasonal, diurnal, climatic and anthropogenic factors, we show here that latitude, time of day and day of year each predict a substantial proportion of variation in key metrics of biophony—whereas anthropophony (speech and traffic) show less predictable patterns. Compared to pristine sites, the soundscape of urban green spaces is more dominated by technophony and less diverse in terms of acoustic energy across frequencies and time steps, with less instances of quiet. We conclude that the global soundscape is formed from a highly predictable rhythm in biophony, with added noise from geophony and anthropophony. At urban sites, animals experience an increasingly noisy background of sound, which poses challenges to efficient communication.

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来源期刊
Nature ecology & evolution
Nature ecology & evolution Agricultural and Biological Sciences-Ecology, Evolution, Behavior and Systematics
CiteScore
22.20
自引率
2.40%
发文量
282
期刊介绍: Nature Ecology & Evolution is interested in the full spectrum of ecological and evolutionary biology, encompassing approaches at the molecular, organismal, population, community and ecosystem levels, as well as relevant parts of the social sciences. Nature Ecology & Evolution provides a place where all researchers and policymakers interested in all aspects of life's diversity can come together to learn about the most accomplished and significant advances in the field and to discuss topical issues. An online-only monthly journal, our broad scope ensures that the research published reaches the widest possible audience of scientists.
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