{"title":"“大脑腐烂”:将“大脑腐烂”作为青少年参与的一种类型进行理论化","authors":"Emilie Owens","doi":"10.1177/14614448251351527","DOIUrl":null,"url":null,"abstract":"In 2024, Oxford University Press made ‘brain rot’ – a piece of teenage slang found primarily on the popular video sharing application TikTok – its <jats:italic>word of the year</jats:italic> . This announcement was received by a public discourse of media panic wherein ‘brain rot’ was understood primarily as a threat to young people’s mental and physical wellbeing. This article seeks to challenge this discourse, building on the participatory approach to children’s media scholarship to argue instead that ‘brain rot’ constitutes a complex, and historically situated, <jats:italic>genre of participation</jats:italic> . Drawing on empirical data from seven TikTok workshops with 16- and 17-year-olds in Oslo, ‘brain rot’ is conceptualised as a collection of related practices that (1) are childish or unserious, (2) provide no cognitive or developmental benefit, and (3) are deliberately non-productive. In this way, it can be understood as a <jats:italic>decompression-driven</jats:italic> genre of participation whereby young people actively resist the pressures of productivity and self-optimisation.","PeriodicalId":19149,"journal":{"name":"New Media & Society","volume":"656 1","pages":""},"PeriodicalIF":4.5000,"publicationDate":"2025-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘It speaks to me in brain rot’: Theorising ‘brain rot’ as a genre of participation among teenagers\",\"authors\":\"Emilie Owens\",\"doi\":\"10.1177/14614448251351527\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2024, Oxford University Press made ‘brain rot’ – a piece of teenage slang found primarily on the popular video sharing application TikTok – its <jats:italic>word of the year</jats:italic> . This announcement was received by a public discourse of media panic wherein ‘brain rot’ was understood primarily as a threat to young people’s mental and physical wellbeing. This article seeks to challenge this discourse, building on the participatory approach to children’s media scholarship to argue instead that ‘brain rot’ constitutes a complex, and historically situated, <jats:italic>genre of participation</jats:italic> . Drawing on empirical data from seven TikTok workshops with 16- and 17-year-olds in Oslo, ‘brain rot’ is conceptualised as a collection of related practices that (1) are childish or unserious, (2) provide no cognitive or developmental benefit, and (3) are deliberately non-productive. In this way, it can be understood as a <jats:italic>decompression-driven</jats:italic> genre of participation whereby young people actively resist the pressures of productivity and self-optimisation.\",\"PeriodicalId\":19149,\"journal\":{\"name\":\"New Media & Society\",\"volume\":\"656 1\",\"pages\":\"\"},\"PeriodicalIF\":4.5000,\"publicationDate\":\"2025-06-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Media & Society\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/14614448251351527\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Media & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14614448251351527","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
‘It speaks to me in brain rot’: Theorising ‘brain rot’ as a genre of participation among teenagers
In 2024, Oxford University Press made ‘brain rot’ – a piece of teenage slang found primarily on the popular video sharing application TikTok – its word of the year . This announcement was received by a public discourse of media panic wherein ‘brain rot’ was understood primarily as a threat to young people’s mental and physical wellbeing. This article seeks to challenge this discourse, building on the participatory approach to children’s media scholarship to argue instead that ‘brain rot’ constitutes a complex, and historically situated, genre of participation . Drawing on empirical data from seven TikTok workshops with 16- and 17-year-olds in Oslo, ‘brain rot’ is conceptualised as a collection of related practices that (1) are childish or unserious, (2) provide no cognitive or developmental benefit, and (3) are deliberately non-productive. In this way, it can be understood as a decompression-driven genre of participation whereby young people actively resist the pressures of productivity and self-optimisation.
期刊介绍:
New Media & Society engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research. The journal includes contributions on: -the individual and the social, the cultural and the political dimensions of new media -the global and local dimensions of the relationship between media and social change -contemporary as well as historical developments -the implications and impacts of, as well as the determinants and obstacles to, media change the relationship between theory, policy and practice.