情感意象与音乐模式的跨感官互动对中性刺激审美评价的影响

IF 1.5 4区 心理学 0 HUMANITIES, MULTIDISCIPLINARY
Xiao Wang, Yannan Zhang
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引用次数: 0

摘要

先前的研究表明,大调音乐搭配积极的情绪形象通常与积极的情绪有关,而小调音乐搭配消极的形象往往与悲伤有关。然而,对于音乐与图像跨模态情感转移的整合机制,目前还缺乏相关研究。本研究采用2(图像:积极与消极)× 2(音乐:主要与次要)被试设计来研究这些组合如何影响对中性刺激的审美偏好。结果表明:(1)在小调音乐条件下,消极情绪图像对中性刺激的审美评价显著高于积极情绪图像。这反映了一种情绪一致效应,促进了情绪同化-对比过程,增强了审美体验。(2)在积极情绪意象下,相对于小调音乐,大调音乐显著提高了中性刺激的审美评价,再次促进了同化对比效应和审美增强。(3)在消极情绪意象下,大调和小调音乐对中性刺激的审美评价没有显著差异,这可能是因为消极意象主导了情绪加工,边缘化了音乐的影响。(4)在大调音乐下,正、负情绪图像对中性刺激的审美评价没有显著差异,这可能说明在大调音乐的情感框架内,正、负情绪图像的情感影响趋同,没有显著改变审美偏好。这些发现揭示了跨模态情绪迁移中情绪同化-对比效应的边界条件。从应用的角度来看,音乐模式和情感形象在视觉信息的感知和审美评价中都是有效的调制器。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Impact of Cross-Sensory Interaction Between Emotional Images and Musical Modes on the Aesthetic Evaluation of Neutral Stimuli
Previous studies have shown that major key music paired with positive emotional images is typically associated with positive emotions, while minor key music paired with negative images tends to be linked to sadness. However, there is still a lack of research on the integrative mechanisms underlying cross-modal emotion transference between music and image. The present study employed a 2 (image: positive vs. negative) × 2 (music: major vs. minor) within-subjects design to investigate how these combinations influence aesthetic preferences for neutral stimuli. The findings revealed the following: (1) Under minor key music, negative emotional images significantly enhanced the aesthetic evaluation of neutral stimuli compared to positive emotional images. This reflects an emotion-congruent effect, facilitating emotion assimilation–contrast processes and enhancing aesthetic experience. (2) Under positive emotional images, major key music significantly increased the aesthetic appraisal of neutral stimuli relative to minor key music, again promoting assimilation–contrast effects and aesthetic enhancement. (3) Under negative emotional images, there was no significant difference in aesthetic evaluation of neutral stimuli between major and minor key music, possibly because the negative images dominated the emotional processing, marginalizing the influence of music. (4) Under major key music, no significant difference in aesthetic evaluation of neutral stimuli was observed between positive and negative emotional images, which may suggest that, within the emotional framework of major key music, the emotional impact of positive and negative images converged and thus failed to significantly alter aesthetic preferences. These findings reveal boundary conditions for the emotion assimilation–contrast effect in the context of cross-modal emotion transference. From an applied perspective, musical mode and emotional image can serve as effective modulators in the perception and aesthetic evaluation of visual information.
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来源期刊
CiteScore
2.60
自引率
0.00%
发文量
14
期刊介绍: Empirical Studies of the Arts (ART) aims to be an interdisciplinary forum for theoretical and empirical studies of aesthetics, creativity, and all of the arts. It spans anthropological, psychological, neuroscientific, semiotic, and sociological studies of the creation, perception, and appreciation of literary, musical, visual and other art forms. Whether you are an active researcher or an interested bystander, Empirical Studies of the Arts keeps you up to date on the latest trends in scientific studies of the arts.
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