Roberta Antonini Philippe, Marine Tâche, Chloé Jaunin, Jean-François Arcier, Benjamin Caumeil
{"title":"音乐家受伤的风险和保护因素:动机、自我效能和反刍的影响","authors":"Roberta Antonini Philippe, Marine Tâche, Chloé Jaunin, Jean-François Arcier, Benjamin Caumeil","doi":"10.1177/03057356251344952","DOIUrl":null,"url":null,"abstract":"Musical performances require significant physical effort and musculoskeletal injuries are an integral part of musicians’ careers. The physical strains of performances are often accompanied by psychological stresses that can accelerate the development of particular physical injuries. This study aimed to understand the protective or deleterious effects of motivation, self-efficacy and rumination. We conducted a cross-sectional study of data collected retrospectively from 121 musical artists. Participants completed sociodemographic, medical, and psychological questionnaires. The artists were divided into previously injured ( <jats:italic>n</jats:italic> = 66, 54.5%) and not previously injured ( <jats:italic>n</jats:italic> = 55, 45.5%) groups. Significant inter-group differences were found for age ( <jats:italic>p</jats:italic> < .05), years of performing ( <jats:italic>p</jats:italic> < .01), and hours of practising ( <jats:italic>p</jats:italic> < .001). No differences were found for sex and total musical practice. Overall, 74.1% of the periods lost to injury lasted under 30 days. Almost all injuries (98.4%) involved the upper limbs or trunk, most frequently hands (15.3%) and wrists (15.3%). Muscles (39.7%) and tendons (26.5%) were the usual tissues damaged. The previously injured and not previously injured groups showed no differences regarding the dimensions of motivation ( <jats:italic>p</jats:italic> > .05), self-efficacy ( <jats:italic>p</jats:italic> <jats:italic>></jats:italic> <jats:italic>.05</jats:italic> ) or rumination. However, there were significant inter-group differences for the subdimensions of integrated motivation ( <jats:italic>p</jats:italic> < .05), introjected motivation ( <jats:italic>p</jats:italic> < .05), and the intrusiveness of repetitive negative thinking ( <jats:italic>p</jats:italic> < .05). The present study’s epidemiological data highlighted the need to provide musicians with better support for their physical preparedness. Promoting more comprehensive care for this population and improving their biopsychosocial well-being could improve their ability to manage stress and injuries and implement effective coping strategies.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"179 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2025-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Risks and protective factors for injury among musicians: The impact of motivation, self-efficacy and rumination\",\"authors\":\"Roberta Antonini Philippe, Marine Tâche, Chloé Jaunin, Jean-François Arcier, Benjamin Caumeil\",\"doi\":\"10.1177/03057356251344952\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Musical performances require significant physical effort and musculoskeletal injuries are an integral part of musicians’ careers. The physical strains of performances are often accompanied by psychological stresses that can accelerate the development of particular physical injuries. This study aimed to understand the protective or deleterious effects of motivation, self-efficacy and rumination. We conducted a cross-sectional study of data collected retrospectively from 121 musical artists. Participants completed sociodemographic, medical, and psychological questionnaires. The artists were divided into previously injured ( <jats:italic>n</jats:italic> = 66, 54.5%) and not previously injured ( <jats:italic>n</jats:italic> = 55, 45.5%) groups. Significant inter-group differences were found for age ( <jats:italic>p</jats:italic> < .05), years of performing ( <jats:italic>p</jats:italic> < .01), and hours of practising ( <jats:italic>p</jats:italic> < .001). No differences were found for sex and total musical practice. Overall, 74.1% of the periods lost to injury lasted under 30 days. Almost all injuries (98.4%) involved the upper limbs or trunk, most frequently hands (15.3%) and wrists (15.3%). Muscles (39.7%) and tendons (26.5%) were the usual tissues damaged. The previously injured and not previously injured groups showed no differences regarding the dimensions of motivation ( <jats:italic>p</jats:italic> > .05), self-efficacy ( <jats:italic>p</jats:italic> <jats:italic>></jats:italic> <jats:italic>.05</jats:italic> ) or rumination. However, there were significant inter-group differences for the subdimensions of integrated motivation ( <jats:italic>p</jats:italic> < .05), introjected motivation ( <jats:italic>p</jats:italic> < .05), and the intrusiveness of repetitive negative thinking ( <jats:italic>p</jats:italic> < .05). The present study’s epidemiological data highlighted the need to provide musicians with better support for their physical preparedness. Promoting more comprehensive care for this population and improving their biopsychosocial well-being could improve their ability to manage stress and injuries and implement effective coping strategies.\",\"PeriodicalId\":47977,\"journal\":{\"name\":\"Psychology of Music\",\"volume\":\"179 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2025-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Psychology of Music\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1177/03057356251344952\",\"RegionNum\":3,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356251344952","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Risks and protective factors for injury among musicians: The impact of motivation, self-efficacy and rumination
Musical performances require significant physical effort and musculoskeletal injuries are an integral part of musicians’ careers. The physical strains of performances are often accompanied by psychological stresses that can accelerate the development of particular physical injuries. This study aimed to understand the protective or deleterious effects of motivation, self-efficacy and rumination. We conducted a cross-sectional study of data collected retrospectively from 121 musical artists. Participants completed sociodemographic, medical, and psychological questionnaires. The artists were divided into previously injured ( n = 66, 54.5%) and not previously injured ( n = 55, 45.5%) groups. Significant inter-group differences were found for age ( p < .05), years of performing ( p < .01), and hours of practising ( p < .001). No differences were found for sex and total musical practice. Overall, 74.1% of the periods lost to injury lasted under 30 days. Almost all injuries (98.4%) involved the upper limbs or trunk, most frequently hands (15.3%) and wrists (15.3%). Muscles (39.7%) and tendons (26.5%) were the usual tissues damaged. The previously injured and not previously injured groups showed no differences regarding the dimensions of motivation ( p > .05), self-efficacy ( p>.05 ) or rumination. However, there were significant inter-group differences for the subdimensions of integrated motivation ( p < .05), introjected motivation ( p < .05), and the intrusiveness of repetitive negative thinking ( p < .05). The present study’s epidemiological data highlighted the need to provide musicians with better support for their physical preparedness. Promoting more comprehensive care for this population and improving their biopsychosocial well-being could improve their ability to manage stress and injuries and implement effective coping strategies.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.