音乐家受伤的风险和保护因素:动机、自我效能和反刍的影响

IF 1.6 3区 心理学 0 MUSIC
Roberta Antonini Philippe, Marine Tâche, Chloé Jaunin, Jean-François Arcier, Benjamin Caumeil
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引用次数: 0

摘要

音乐表演需要大量的体力劳动,肌肉骨骼损伤是音乐家职业生涯不可分割的一部分。表演时的身体紧张常常伴随着心理压力,这会加速特定身体损伤的发展。本研究旨在了解动机、自我效能和反刍的保护或有害作用。我们对121位音乐艺术家的回顾性数据进行了横断面研究。参与者完成了社会人口学、医学和心理学问卷调查。将艺人分为既往损伤组(n = 66, 54.5%)和未既往损伤组(n = 55, 45.5%)。年龄组间差异显著(p <;.05),表演年限(p <;.01)及练习时数(p <;措施)。在性别和总体音乐练习方面没有发现差异。总体而言,74.1%的工伤损失持续时间在30天以下。几乎所有的损伤(98.4%)涉及上肢或躯干,最常见的是手(15.3%)和手腕(15.3%)。肌肉(39.7%)和肌腱(26.5%)是常见的损伤组织。先前受伤组和未受伤组在动机的维度上没有差异(p >;.05)、自我效能感(p >;0.05)或反刍。然而,在整合动机的子维度上,组间存在显著差异(p <;.05),内注入动机(p <;.05),重复性消极思维的侵入性(p <;. 05)。本研究的流行病学数据强调了为音乐家提供更好的身体准备支持的必要性。促进对这一人群的更全面的护理,改善他们的生物心理社会福祉,可以提高他们管理压力和伤害的能力,并实施有效的应对策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Risks and protective factors for injury among musicians: The impact of motivation, self-efficacy and rumination
Musical performances require significant physical effort and musculoskeletal injuries are an integral part of musicians’ careers. The physical strains of performances are often accompanied by psychological stresses that can accelerate the development of particular physical injuries. This study aimed to understand the protective or deleterious effects of motivation, self-efficacy and rumination. We conducted a cross-sectional study of data collected retrospectively from 121 musical artists. Participants completed sociodemographic, medical, and psychological questionnaires. The artists were divided into previously injured ( n = 66, 54.5%) and not previously injured ( n = 55, 45.5%) groups. Significant inter-group differences were found for age ( p < .05), years of performing ( p < .01), and hours of practising ( p < .001). No differences were found for sex and total musical practice. Overall, 74.1% of the periods lost to injury lasted under 30 days. Almost all injuries (98.4%) involved the upper limbs or trunk, most frequently hands (15.3%) and wrists (15.3%). Muscles (39.7%) and tendons (26.5%) were the usual tissues damaged. The previously injured and not previously injured groups showed no differences regarding the dimensions of motivation ( p > .05), self-efficacy ( p > .05 ) or rumination. However, there were significant inter-group differences for the subdimensions of integrated motivation ( p < .05), introjected motivation ( p < .05), and the intrusiveness of repetitive negative thinking ( p < .05). The present study’s epidemiological data highlighted the need to provide musicians with better support for their physical preparedness. Promoting more comprehensive care for this population and improving their biopsychosocial well-being could improve their ability to manage stress and injuries and implement effective coping strategies.
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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