表演联结:在直播中通过弹幕交流联系

IF 2.3 2区 文学 Q1 COMMUNICATION
Jian Shan , Huan Yu
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引用次数: 0

摘要

本文提供了观众如何通过子弹幕在直播中交流联系的见解。由于直播互动的混乱形式和主播在举办直播节目中的核心作用,先前的研究要么认为直播互动是无序的,要么过分强调主播在聚集社区中的作用。这项研究认为,观众也可以通过在子弹幕中表演来与共同观众建立联系。为了解释这种特殊的联系方式,本研究借助舞台表演的语言人类学理论,将环境联系理论定位于系统功能语言学。通过对50小时的直播节目记录进行分析,本文发现虽然在直播中仍然采用了Ambient Affiliation策略,但是实现方式有所不同。这里的观众不像其他形式的社交媒体那样与潜在的读者对话,而是通过在直播的虚拟舞台上进行对话评论,实现思想-态度的耦合,与主播和公社的联系。主播提出的以耦合为目标的表演会调整耦合的对话空间(FINESS),观众弹幕中以耦合为目标的表演会将整个耦合置于人际关系的前景(PROMOTE)。观众也可以通过元表演来提醒观众即将到来的表演,并以这种方式将属性耦合到目标观众(CONVOKE)。同时,由于观众需要在主播的基础上构建自己的表演,从而抢去主播的风头,因此,风格化不仅是为了唤起更强大的声音,从而与主播竞争,而且由此产生的逻辑语义依赖也限制了他们表演的语义选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing Couplings: Communing affiliation through bullet curtains in live stream
This paper provides insights into how viewers commune affiliation through bullet curtains in live stream. Due to the apparently chaotic form of live stream interactions and streamers’ central role in holding live stream shows, previous research either sees live stream interactions as disordered or over-emphasizes the role of streamers in mustering the community. This study argues that viewers can also affiliate with co-viewers by performing in bullet curtains. To account for this particular way of affiliation, this study localizes the Ambient Affiliation theory in systemic-functional linguistics with the help of the linguistic-anthropological theory of stage performance. Through the analysis of 50 h’ recording of live stream shows, this paper finds that although the strategies of Ambient Affiliation are still adopted in live stream, the realization of them is different. Instead of addressing potential readers as in other forms of social media, viewers here dialogue with streamers and commune affiliation by performing the ideation-attitude couplings in their dialogical comments on the virtual stage of live stream. The performances targeting couplings brought up by streamers would adjust the dialogical space of these couplings (FINESS), and those targeting couplings in viewers’ bullet curtains would interpersonally foreground an entire coupling (PROMOTE). Viewers may also meta-perform to remind audiences of upcoming performances and in this way attribute couplings to target audiences (CONVOKE). Meanwhile, as viewers need to steal the spotlight of streamers by building their performances on streamers’, not only is stylization employed to invoke more powerful voices so as to compete with streamers, but the resulting logico-semantic dependency also sets constraints on the semantic choices of their performances.
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来源期刊
Discourse Context & Media
Discourse Context & Media COMMUNICATION-
CiteScore
5.00
自引率
10.00%
发文量
46
审稿时长
55 days
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