指挥家对个人实践活动的看法

IF 1.6 3区 心理学 0 MUSIC
Helen Jossberger, Erkki Huovinen, Martin Ritter, Hans Gruber
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引用次数: 0

摘要

本研究探讨了专业指挥家如何理解个人(有目的)实践的作用,以及他们如何描述这种实践的内容。对12位专业指挥家进行访谈,采用内容分析法对数据进行分析。结果表明,参与者将指挥理解为一个终身学习的过程。通过密集的个人练习,他们积累了大量的音乐作品。充分的准备使他们能够传授知识,这有助于他们与音乐家建立权威和交流的关系。虽然技术方面,如指挥棒技术在职业生涯的早期阶段很重要,但这些大都不再练习。研究分数被认为是旨在提高成绩的最核心的练习活动。它需要有纪律、坚持不懈和目标导向的学习,因此带有有目的练习的标志。分数学习中的个人活动主要是在心理上进行的,在特殊情况下,借助于外部工具(如钢琴、录音)。这些发现揭示了观点的差异和隐含的紧张关系,特别是在记忆和工具的使用方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conductors’ views on individual practice activities
This study explored how professional conductors understand the role of individual (purposeful) practice and how they describe the contents of such practice. Twelve professional conductors were interviewed and content analysis was used to analyze the data. The results show that the participants understood conducting as a lifelong learning process. Through intensive individual practice, they had built up a significant repertoire of musical works. Being well prepared allowed them to impart knowledge, which helped them to achieve an authoritative and communicative relationship with musicians. While technical aspects such as baton technique had been important during early career stages, these were mostly no longer practiced. Studying the score was perceived as the most central practice activity aiming at performance improvement. It required disciplined, persistent, and goal-oriented learning, and thus carried the marks of purposeful practice. Individual activities during score study were mainly carried out mentally and in particular situations supported with external tools (e.g., piano, audio recordings). The findings shed light on differences in opinion and implicit tensions, especially regarding memorization and the use of tools.
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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