博物馆收藏新可能性的“创造”——塔玛拉·卡迪纳尔的铃铛裙及其颠覆博物馆收藏霸权的潜力

IF 0.7 Q3 ANTHROPOLOGY

Museum Anthropology Pub Date : 2024-12-19 DOI:10.1111/muan.12310

Amanda Foote

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引用次数: 0

摘要

本文探讨了Nêhiyaw （Cree）艺术家塔玛拉·卡迪纳尔（Tamara Cardinal）的一件作品（包括行为艺术和一件实物：一件用天然粘土做成的铃铛裙）在改造博物馆藏品管理方面发挥的积极作用。我认为红衣主教的艺术，在土著和博物馆的互动和行为艺术的一些运动的背景下，通过它的收藏作为一件艺术品，改变了博物馆的实践。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

“Creation” of new possibilities in museum collections—Tamara Cardinal's jingle dress and its potential to disrupt hegemony in museum collections

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“Creation” of new possibilities in museum collections—Tamara Cardinal's jingle dress and its potential to disrupt hegemony in museum collections

This article explores the ways a work by Nêhiyaw (Cree) artist Tamara Cardinal (including performance art and a material item: a jingle dress with natural clay cones) takes an active role in transforming museum collection management. I argue that Cardinal's art, taken in context of Indigenous and museum interaction and some movements in performance art, transforms museum practice through its collection as a work of art.

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来源期刊

Museum Anthropology ANTHROPOLOGY-

CiteScore

0.80

自引率

75.00%

发文量

期刊介绍： Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.