{"title":"熟悉的景象:“荷兰式印刷术”和诺维奇的第一个印刷术","authors":"Rebecca Feakes","doi":"10.1111/1468-229X.13441","DOIUrl":null,"url":null,"abstract":"<p>Anthony Solempne, the first printer of Norwich, was among the many Dutch Protestants to flee religious persecution in the Southern Netherlands in the late 1560s and seek refuge in the Northern Provinces, France, and England. Dutch immigrants arrived in such numbers they soon formed around half the population of Norwich, the local inhabitants distinguishing themselves from the ‘otherness’ of these new arrivals by dubbing them ‘Strangers’. Solempne marketed many of his works to this growing community of displaced Dutch refugees through his use of vernacular and possibly his choice of type. This article considers how typography can embody aspects of ‘foreignness’ and familiarity on the printed page. A typographical analysis of Solempne's works forms the foundations for discussions on attributable works and the broader network of Dutch printers in England and the Continent who used a distinctive ‘Dutch type’ that would have been readily familiar to the ‘Strangers’ of Norwich. In doing so, it recognises the potential contribution of typographical studies to our understandings of ‘nationhood’ in northern Europe during the early modern period.</p>","PeriodicalId":13162,"journal":{"name":"History","volume":"110 390","pages":"215-226"},"PeriodicalIF":0.6000,"publicationDate":"2025-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Familiar Sight: ‘Dutch Type’ and the First Printer of Norwich\",\"authors\":\"Rebecca Feakes\",\"doi\":\"10.1111/1468-229X.13441\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Anthony Solempne, the first printer of Norwich, was among the many Dutch Protestants to flee religious persecution in the Southern Netherlands in the late 1560s and seek refuge in the Northern Provinces, France, and England. Dutch immigrants arrived in such numbers they soon formed around half the population of Norwich, the local inhabitants distinguishing themselves from the ‘otherness’ of these new arrivals by dubbing them ‘Strangers’. Solempne marketed many of his works to this growing community of displaced Dutch refugees through his use of vernacular and possibly his choice of type. This article considers how typography can embody aspects of ‘foreignness’ and familiarity on the printed page. A typographical analysis of Solempne's works forms the foundations for discussions on attributable works and the broader network of Dutch printers in England and the Continent who used a distinctive ‘Dutch type’ that would have been readily familiar to the ‘Strangers’ of Norwich. In doing so, it recognises the potential contribution of typographical studies to our understandings of ‘nationhood’ in northern Europe during the early modern period.</p>\",\"PeriodicalId\":13162,\"journal\":{\"name\":\"History\",\"volume\":\"110 390\",\"pages\":\"215-226\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2025-01-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/1468-229X.13441\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History","FirstCategoryId":"90","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/1468-229X.13441","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
A Familiar Sight: ‘Dutch Type’ and the First Printer of Norwich
Anthony Solempne, the first printer of Norwich, was among the many Dutch Protestants to flee religious persecution in the Southern Netherlands in the late 1560s and seek refuge in the Northern Provinces, France, and England. Dutch immigrants arrived in such numbers they soon formed around half the population of Norwich, the local inhabitants distinguishing themselves from the ‘otherness’ of these new arrivals by dubbing them ‘Strangers’. Solempne marketed many of his works to this growing community of displaced Dutch refugees through his use of vernacular and possibly his choice of type. This article considers how typography can embody aspects of ‘foreignness’ and familiarity on the printed page. A typographical analysis of Solempne's works forms the foundations for discussions on attributable works and the broader network of Dutch printers in England and the Continent who used a distinctive ‘Dutch type’ that would have been readily familiar to the ‘Strangers’ of Norwich. In doing so, it recognises the potential contribution of typographical studies to our understandings of ‘nationhood’ in northern Europe during the early modern period.
期刊介绍:
First published in 1912, History has been a leader in its field ever since. It is unique in its range and variety, packing its pages with stimulating articles and extensive book reviews. History balances its broad chronological coverage with a wide geographical spread of articles featuring contributions from social, political, cultural, economic and ecclesiastical historians. History seeks to publish articles on broad, challenging themes, which not only display sound scholarship which is embedded within current historiographical debates, but push those debates forward. History encourages submissions which are also attractively and clearly written. Reviews: An integral part of each issue is the review section giving critical analysis of the latest scholarship across an extensive chronological and geographical range.