IF 1.2 4区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Bradley J. Regier, Melissa Baughman, Alec D. Scherer, Brian A. Silvey
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引用次数: 0

摘要

本研究旨在调查本科音乐专业学生的指挥焦虑是否与他们自我报告的抑郁水平、自我同情、指挥自我效能感、对他人看法的关注以及指挥信念和行为有关。参加指挥入门课程的参与者(128 人)填写了一份问卷,其中包括采用或修改过的已有测量项目、研究人员设计的项目以及开放式问题,以提供与他们的指挥焦虑相关的见解。受试者对他人看法的关注程度明显预示了他们的指挥焦虑得分,开放式回答的结果也支持了这一结论。指挥教师指定的曲目/选段的难度也会影响参与者的指挥焦虑。皮尔逊相关分析结果表明,学员的指挥焦虑得分与抑郁得分成正相关,但与自我同情和指挥自我效能得分成反相关。指挥教师应想方设法使他们的课程环境变得温馨、透明和以成长为基础,从而使学生能够专注于提高他们的指挥技能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Undergraduate Music Students’ Self-Reports of Conducting Anxiety in Introductory Conducting Courses
The purpose of this study was to investigate whether undergraduate music students’ conducting anxiety associated with their self-reported levels of depression, self-compassion, self-efficacy for conducting, concern with others’ perceptions, and conducting beliefs and behaviors. Participants who were enrolled in an introductory conducting course ( N = 128) completed a questionnaire that included adopted and modified items from preexisting measures, researcher-designed items, and open-ended questions to provide insights related to their conducting anxiety. Participants’ level of concern with others’ perceptions significantly predicted their conducting anxiety scores, and open-response results supported this finding. The perceived difficulty level of the pieces/excerpts assigned by their conducting instructor also predicted participants’ conducting anxiety. Results of a Pearson correlation analysis indicated that participants’ conducting anxiety scores correlated with their depression scores positively but inversely with their self-compassion and self-efficacy for conducting scores. Conducting instructors should find ways to make their course environment welcoming, transparent, and growth-based so that students can focus on improving their conducting skills.
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来源期刊
CiteScore
3.40
自引率
7.10%
发文量
20
期刊介绍: The quarterly Journal of Research in Music Education comprises reports of original research related to music teaching and learning. The wide range of topics includes various aspects of music pedagogy, history, and philosophy, and addresses vocal, instrumental, and general music at all levels, from early childhood through adult.
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