情感观影过程中青少年抑郁的非典型注意网络动态。

Marie-Stephanie Cahart, Vincent Giampietro, Owen O'Daly
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引用次数: 0

摘要

情绪研究通常报道了在短期情绪线索的背景下,临床抑郁青少年的非典型情绪加工。然而,造成这种受损情绪反应的即时大脑网络动态的个体间差异仍然不清楚,并且使用不匹配的对照和相对较小的样本量代表了迄今为止大多数神经成像抑郁症研究的主要局限性。在这里,我们通过使用丰富的自然主义范式(即电影《卑鄙的我》的片段)的时间特征来研究42名年龄在16-21岁的临床抑郁症和42名非抑郁症青少年的大脑网络动态,这些青少年的年龄、性别和精神合并症相匹配。使用一种称为领先特征向量动力学分析的动态功能连通性分析技术,我们发现临床组在整个任务过程中表现出明显更高的背侧注意网络出现的可能性,以及更低的额顶叶、默认模式网络、腹侧注意和躯体运动网络的补充。与之前的研究结果一致,这种大脑/行为关系在电影中不那么情绪化的时刻尤为突出。我们的发现证明了持续情感测量的关键作用,它提供了关于抑郁大脑活动如何随着电影中情绪强度的展现而演变的信息。为了证实目前的发现,未来需要更大样本量的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Atypical attentional network dynamics in adolescent depression during emotional movie viewing.

Emotion studies have commonly reported atypical emotional processing in clinically depressed adolescents in the context of short-lasting emotional cues. However, interindividual differences in the moment-to-moment brain network dynamics that underlie this impaired emotional reactivity remain unclear, and the use of poorly matched controls and relatively small sample sizes represents major limitations in most neuroimaging depression studies to date. Here, we address these concerns by using the temporal features of a rich naturalistic paradigm (i.e. a clip from the movie 'Despicable Me') to investigate brain network dynamics in 42 clinically depressed and 42 nondepressed adolescents aged 16-21 years, matched for age, gender, and psychiatric comorbidities. Using a dynamics functional connectivity analysis technique called Leading Eigenvector Dynamics Analysis, we found that the clinical group exhibited significantly higher probability of occurrence of the dorsal attention network and lower recruitment of the fronto-parietal, default mode network, ventral attention, and somato-motor networks throughout the task. This brain/behaviour relationship was prominent during less emotional moments of the movie, consistent with previous findings. Our findings demonstrate the key role of continuous affective measures in providing information about how activity in the depressed brain evolves as emotional intensity unfolds throughout the movie. Future studies with a larger sample size are needed in order to corroborate the present findings.

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