走出阴影的洞穴艺术

IF 0.8 4区 地球科学 Q3 ANTHROPOLOGY
Georges Sauvet
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引用次数: 0

摘要

由于我们无法理解旧石器时代的狩猎采集者赋予他们洞穴艺术的意义,我们只能从外部观察,试图通过定量选择和正式程序来破译其结构。作为人类学家,这是我们研究史前人类生活的社会以及他们问自己的存在主义问题的唯一途径。艺术是在相距遥远的群体之间创造文化统一的强大力量。艺术将非功利的维度带入了起着至关重要作用的交流网络,从而发展了一种社会关系模式,在这种模式中,男人和女人学会了分享思想、价值观、信仰和对世界的看法。从这个意义上说,旧石器时代的艺术为创造一种真正的文化做出了贡献,我们今天就是这种文化的继承者。通过动物的模型,图像在一个无形的规则和规范的社会建设中发挥了关键作用。25000多年来,马在整个欧洲所扮演的特殊角色,表明了一个符号是如何被用作一个标志来统一一个庞大的社区的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sortir de l’ombre l’art des cavernes
Since we are unable to understand the meaning that Palaeolithic hunter-gatherers gave to their cave art, we are reduced to looking at it from the outside, trying only to decipher its structure, as revealed by quantitative choices and formal procedures. This is the only way we can approach, as anthropologists, the society in which prehistoric man lived and the existential questions he asked himself. Art is a powerful force for creating cultural unity between distant groups. By bringing a non-utilitarian dimension to the exchange networks that played a vital role, art has developed a model of social relations in which men and women learned to share ideas, values, beliefs and a vision of the world. In this sense, Palaeolithic art contributed to the creation of a genuine culture, whose heirs we are today. Through the model of animals, images played a key role in the construction of a society with intangible rules and norms. The exceptional role played by the horse for more than 25,000 years, throughout Europe, shows how a symbol can be used as a marker to unify a vast community.
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来源期刊
Anthropologie
Anthropologie ANTHROPOLOGY-
CiteScore
1.00
自引率
0.00%
发文量
59
期刊介绍: First published in 1890, Anthropologie remains one of the most important journals devoted to prehistoric sciences and paleoanthropology. It regularly publishes thematic issues, originalsarticles and book reviews.
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