“现金大师”以“直男”的身份出现:社交媒体和性别和性行为的变化动态

IF 5.5 1区 文学 Q1 COMMUNICATION
Sozen Basturk
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引用次数: 0

摘要

本文探讨了社交媒体平台上出现的一个新概念,即“直男现金主人”,尤其是x。这个概念指的是自认为是直男的人充当主人,而主要是同性恋者充当奴隶的关系。有几个因素使这一概念值得研究。首先,这些关系很复杂,涉及经济支配、性、情感和心理等方面。其次,虽然存在性工作、恋物癖和BDSM(捆绑、纪律、施虐和受虐)文化的元素,但将这些大师单独归类为性工作者或表演者,并使用单一的理论框架进行分析可能是不够的。第三,这些现金主人的“直男”身份并没有使他们倾向于异性,而是涉及同性互动。因此,他们的“直”缺乏异性,只能依靠同性奴隶来表达,从而使“直”的概念变得古怪。最后,虽然社交媒体延续了性别、性和男子气概的传统规范,但它也使这种关系得以出现,产生了酷儿效应。尽管其相关性,但在解决社交媒体与这一概念之间相互作用的文献中存在明显的差距。本文采用非结构化、深度访谈和定性内容分析方法,尽作者所知,首次尝试解决这一差距,并提供了一种奇怪的阅读方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Cash Masters” Coming Out as “Straight”: Social Media and the Changing Dynamics of Gender and Sexuality
This article explores a novel concept called “straight cash master” emerging on social media platforms, especially X. The concept refers to relationships where self-identified straight men act as masters and primarily gay individuals take on the role of slaves. Several factors make this concept worthy of examination. First, these relationships are complex, involving dimensions of financial domination, sexuality, emotionality, and psychology. Second, while elements of sex work, fetishism, and BDSM (Bondage, Discipline, Sadism, and Masochism) culture are present, categorizing these masters solely as sex workers or performers and using a single theoretical framework for analysis may be inadequate. Third, the “straight” identity of these cash masters does not orient them toward the opposite sex but rather involves same-sex interactions. Thus, their “straightness” lacks the opposite sex and can only be articulated if relied on the same-sex slaves, thereby queering the notion of straightness. Finally, while social media perpetuates traditional norms of gender, sexuality, and masculinity, it also enables such relationships to emerge, having a queering effect. Despite its relevance, there is a noticeable gap in the literature addressing the interplay between social media and this concept. Drawing on unstructured, in-depth interview and qualitative content analysis methods, this article represents the first attempt, to the best of the author’s knowledge, to address this gap and offers a queer reading of it.
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来源期刊
Social Media + Society
Social Media + Society COMMUNICATION-
CiteScore
9.20
自引率
3.80%
发文量
111
审稿时长
12 weeks
期刊介绍: Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.
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