Sean McWeeny, Laurel J Trainor, Steve Armstrong, Dan Bosnyak, Hany Tawfik, Ian C Bruce
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The present study thus tested whether the use of a hearing loop would improve sound quality during an orchestral concert.</p><p><strong>Design: </strong>Participants with symmetrical moderate-to-severe hearing loss were assigned to use Sonova-provided HAs with a telecoil (n = 20) or their own HAs (n = 8) without a telecoil during a performance by the Hamilton Philharmonic Orchestra. We changed loop input to use one of three feeds every 5 minutes: a mix of microphones from the hall's standard assistive feed on the first balcony (house condition), a mix of microphones located on the stage (stage condition), or no input to the loop (no feed). After each 5-minute interval, we collected sound quality and naturalness ratings for the previous 5 minutes.</p><p><strong>Results: </strong>Sound quality and naturalness ratings were highly related (rRM = 0.81), though each provided unique insight. Repeated measures analysis of variance found significant differences among the loop feed conditions for sound quality and naturalness, with the no feed condition significantly outperforming the house condition on sound quality [ t (18) = -3.73, adj. p = 0.005] and naturalness [ t (18) = -4.15, adj. p = 0.002]. Mixed effects models allowed us to retain the richness of a repeated observation dataset and provided point estimates of the overall quality and naturalness among conditions; however, assumption violations of normality and homoskedasticity prevented further interpretation.</p><p><strong>Conclusions: </strong>Though HA-integrated assistive listening systems are a promising option for improving live music for people with hearing loss, a hearing loop does not seem to be crucial for orchestral music. Future directions include improving lyric understanding for music with vocals and customizing user experience via Bluetooth Low Energy Audio systems.</p>","PeriodicalId":55172,"journal":{"name":"Ear and Hearing","volume":" ","pages":"808-816"},"PeriodicalIF":2.6000,"publicationDate":"2025-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Evaluating a Hearing Loop Implementation for Live Orchestral Music.\",\"authors\":\"Sean McWeeny, Laurel J Trainor, Steve Armstrong, Dan Bosnyak, Hany Tawfik, Ian C Bruce\",\"doi\":\"10.1097/AUD.0000000000001626\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><strong>Objectives: </strong>Live music creates a sense of connectedness in older adults, which can help alleviate the social isolation frequently associated with hearing loss and aging. However, most hearing-aid (HA) users are dissatisfied with the sound quality of live music and rate sound quality as important to them. Assistive listening systems are frequently independent of a user's HAs and fall short in tailoring to each individual's hearing loss. The present study thus tested whether the use of a hearing loop would improve sound quality during an orchestral concert.</p><p><strong>Design: </strong>Participants with symmetrical moderate-to-severe hearing loss were assigned to use Sonova-provided HAs with a telecoil (n = 20) or their own HAs (n = 8) without a telecoil during a performance by the Hamilton Philharmonic Orchestra. We changed loop input to use one of three feeds every 5 minutes: a mix of microphones from the hall's standard assistive feed on the first balcony (house condition), a mix of microphones located on the stage (stage condition), or no input to the loop (no feed). After each 5-minute interval, we collected sound quality and naturalness ratings for the previous 5 minutes.</p><p><strong>Results: </strong>Sound quality and naturalness ratings were highly related (rRM = 0.81), though each provided unique insight. Repeated measures analysis of variance found significant differences among the loop feed conditions for sound quality and naturalness, with the no feed condition significantly outperforming the house condition on sound quality [ t (18) = -3.73, adj. p = 0.005] and naturalness [ t (18) = -4.15, adj. p = 0.002]. Mixed effects models allowed us to retain the richness of a repeated observation dataset and provided point estimates of the overall quality and naturalness among conditions; however, assumption violations of normality and homoskedasticity prevented further interpretation.</p><p><strong>Conclusions: </strong>Though HA-integrated assistive listening systems are a promising option for improving live music for people with hearing loss, a hearing loop does not seem to be crucial for orchestral music. 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引用次数: 0
摘要
目的:现场音乐在老年人中创造一种联系感,这可以帮助减轻经常与听力损失和衰老相关的社会隔离。然而,大多数助听器用户对现场音乐的音质不满意,并认为音质对他们来说很重要。辅助听力系统通常独立于用户的HAs,并且在针对每个人的听力损失进行定制方面存在不足。因此,本研究测试了使用听觉回路是否会改善管弦乐音乐会的音质。设计:患有对称性中重度听力损失的参与者在观看汉密尔顿爱乐乐团的演出时,被分配使用sonova提供的带远距仪的ha (n = 20)或他们自己的不带远距仪的ha (n = 8)。我们改变了循环输入,每5分钟使用三种馈送中的一种:来自大厅第一个阳台上的标准辅助馈送的麦克风的混合(房屋条件),位于舞台上的麦克风的混合(舞台条件),或者没有输入到循环(没有馈送)。在每隔5分钟的间隔后,我们收集前5分钟的音质和自然度评分。结果:音质和自然度评级高度相关(rRM = 0.81),尽管每个都提供了独特的见解。重复测量方差分析发现,环饲条件在音质和自然度方面存在显著差异,无饲料条件在音质和自然度方面显著优于室内条件[t(18) = -3.73, j. p = 0.005]和自然度[t(18) = -4.15, j. p = 0.002]。混合效应模型使我们能够保留重复观测数据集的丰富性,并提供条件之间整体质量和自然度的点估计;然而,假设违反正态性和同方差性阻碍了进一步的解释。结论:虽然ha集成的辅助听力系统是一种很有希望的选择,可以改善听力损失患者的现场音乐,但听觉回路似乎对管弦乐并不重要。未来的发展方向包括通过蓝牙低功耗音频系统提高对人声音乐的歌词理解和定制用户体验。
Evaluating a Hearing Loop Implementation for Live Orchestral Music.
Objectives: Live music creates a sense of connectedness in older adults, which can help alleviate the social isolation frequently associated with hearing loss and aging. However, most hearing-aid (HA) users are dissatisfied with the sound quality of live music and rate sound quality as important to them. Assistive listening systems are frequently independent of a user's HAs and fall short in tailoring to each individual's hearing loss. The present study thus tested whether the use of a hearing loop would improve sound quality during an orchestral concert.
Design: Participants with symmetrical moderate-to-severe hearing loss were assigned to use Sonova-provided HAs with a telecoil (n = 20) or their own HAs (n = 8) without a telecoil during a performance by the Hamilton Philharmonic Orchestra. We changed loop input to use one of three feeds every 5 minutes: a mix of microphones from the hall's standard assistive feed on the first balcony (house condition), a mix of microphones located on the stage (stage condition), or no input to the loop (no feed). After each 5-minute interval, we collected sound quality and naturalness ratings for the previous 5 minutes.
Results: Sound quality and naturalness ratings were highly related (rRM = 0.81), though each provided unique insight. Repeated measures analysis of variance found significant differences among the loop feed conditions for sound quality and naturalness, with the no feed condition significantly outperforming the house condition on sound quality [ t (18) = -3.73, adj. p = 0.005] and naturalness [ t (18) = -4.15, adj. p = 0.002]. Mixed effects models allowed us to retain the richness of a repeated observation dataset and provided point estimates of the overall quality and naturalness among conditions; however, assumption violations of normality and homoskedasticity prevented further interpretation.
Conclusions: Though HA-integrated assistive listening systems are a promising option for improving live music for people with hearing loss, a hearing loop does not seem to be crucial for orchestral music. Future directions include improving lyric understanding for music with vocals and customizing user experience via Bluetooth Low Energy Audio systems.
期刊介绍:
From the basic science of hearing and balance disorders to auditory electrophysiology to amplification and the psychological factors of hearing loss, Ear and Hearing covers all aspects of auditory and vestibular disorders. This multidisciplinary journal consolidates the various factors that contribute to identification, remediation, and audiologic and vestibular rehabilitation. It is the one journal that serves the diverse interest of all members of this professional community -- otologists, audiologists, educators, and to those involved in the design, manufacture, and distribution of amplification systems. The original articles published in the journal focus on assessment, diagnosis, and management of auditory and vestibular disorders.