{"title":"思辨转换：黑格尔、约翰·休斯顿的《白鲸记》和《溶解》","authors":"Joshua Harold Wiebe","doi":"10.3366/film.2025.0298","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"45 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2025-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve\",\"authors\":\"Joshua Harold Wiebe\",\"doi\":\"10.3366/film.2025.0298\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025. <br/>\",\"PeriodicalId\":42990,\"journal\":{\"name\":\"Film-Philosophy\",\"volume\":\"45 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2025-01-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film-Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/film.2025.0298\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2025.0298","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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