IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Emma Lynn
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引用次数: 0

摘要

Netflix 热播剧集《布里奇顿》(2020-)以其多元化的种族演员阵容将年代剧更新到了 21 世纪。尽管该剧具有颠覆种族等级制度的潜力,但本文认为,《布里奇顿》并没有充分考虑种族主义社会结构,复制了种族刻板印象,最关键的是,它使黑人男性作为性暴力受害者的身份非法化。这些表述上的窘境源于布里奇顿对 "准肤色意识 "这一选角和叙事手法的运用。准肤色意识 "提供了比 "色盲 "选角更细致入微的语言,来解释电视制片人在创作种族多元化的当代电视节目方面所做的努力(以及存在的不足)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quasi-color consciousness: Casting, race, and sexual violence in Netflix's Bridgerton

The hit Netflix series Bridgerton (2020–) updates the period drama for the twenty-first century with its racially diverse cast. Despite the series' potential for subverting racial hierarchies, this article argues that Bridgerton does not fully account for racist social structures, replicates racial stereotypes, and, most crucially, delegitimizes Black men as victims of sexual violence. These representational quandaries stem from Bridgerton's use of the casting and narrative practice “quasi-color consciousness.” Quasi-color consciousness provides more nuanced language beyond colorblind casting to account for television producers' efforts (and shortcomings) to create racially diverse contemporary television programming.

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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
68
期刊介绍: The popular culture movement was founded on the principle that the perspectives and experiences of common folk offer compelling insights into the social world. The fabric of human social life is not merely the art deemed worthy to hang in museums, the books that have won literary prizes or been named "classics," or the religious and social ceremonies carried out by societies" elite. The Journal of Popular Culture continues to break down the barriers between so-called "low" and "high" culture and focuses on filling in the gaps that a neglect of popular culture has left in our understanding of the workings of society.
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