{"title":"知道“如何创造”是为了知道“如何教学”?中学西班牙音乐教师的认知与制约","authors":"Vicente Castro-Alonso, Rocío Chao-Fernández","doi":"10.1017/s0265051724000342","DOIUrl":null,"url":null,"abstract":"<p>Music teachers in secondary education tend to undervalue the professional competence of creating music, in response to educational models that prioritise the development of musical interpretation skills. The aim of this research is to identify the factors that contribute to this belief among teachers in Spain, by analysing the results of the Professional Competences of the Music Teacher questionnaire (<span>n</span> = 112). Significant differences were found between age categories, as well as significant linear correlations between teachers’ perceptions of their preparation during initial training, their practical skills and habits, and the professional importance they attached to their competence in musical creation.</p>","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"213 1","pages":""},"PeriodicalIF":1.0000,"publicationDate":"2024-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Knowing ‘how to create’ in order to know ‘how to teach’? Perceptions and conditioning of Spanish music teachers in secondary education\",\"authors\":\"Vicente Castro-Alonso, Rocío Chao-Fernández\",\"doi\":\"10.1017/s0265051724000342\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Music teachers in secondary education tend to undervalue the professional competence of creating music, in response to educational models that prioritise the development of musical interpretation skills. The aim of this research is to identify the factors that contribute to this belief among teachers in Spain, by analysing the results of the Professional Competences of the Music Teacher questionnaire (<span>n</span> = 112). Significant differences were found between age categories, as well as significant linear correlations between teachers’ perceptions of their preparation during initial training, their practical skills and habits, and the professional importance they attached to their competence in musical creation.</p>\",\"PeriodicalId\":54192,\"journal\":{\"name\":\"British Journal of Music Education\",\"volume\":\"213 1\",\"pages\":\"\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2024-12-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"British Journal of Music Education\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://doi.org/10.1017/s0265051724000342\",\"RegionNum\":3,\"RegionCategory\":\"教育学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"EDUCATION & EDUCATIONAL RESEARCH\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"British Journal of Music Education","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1017/s0265051724000342","RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
Knowing ‘how to create’ in order to know ‘how to teach’? Perceptions and conditioning of Spanish music teachers in secondary education
Music teachers in secondary education tend to undervalue the professional competence of creating music, in response to educational models that prioritise the development of musical interpretation skills. The aim of this research is to identify the factors that contribute to this belief among teachers in Spain, by analysing the results of the Professional Competences of the Music Teacher questionnaire (n = 112). Significant differences were found between age categories, as well as significant linear correlations between teachers’ perceptions of their preparation during initial training, their practical skills and habits, and the professional importance they attached to their competence in musical creation.