{"title":"动画的集合表示可以基于中级视觉特征。","authors":"Natalia A. Tiurina, Yuri A. Markov","doi":"10.3758/s13414-024-02976-6","DOIUrl":null,"url":null,"abstract":"<div><p>Studies suggest that mid-level features could underlie object animacy perception. In the current research, we tested whether ensemble animacy perception is based on high- or mid-level features. We used five types of images of animals and inanimate objects: color, grayscale, silhouettes, texforms – unrecognizable images that preserve mid-level texture and shape information – and scrambled images. In the series of Experiments 1, we asked participants to evaluate the animacy of single images and sets of eight images using a 10-point scale. In the series of Experiments 2, participants were shown two sets of eight images and had to choose a more animate one in the two-alternative forced-choice (2AFC) task. We found that in both paradigms, observers could report the mean animacy of the set of texform images without direct access to information about high-level features. Thus, ensemble animacy could be extracted only based on mid-level features such as shape and texture without access to more high-level information.</p></div>","PeriodicalId":55433,"journal":{"name":"Attention Perception & Psychophysics","volume":"87 2","pages":"415 - 430"},"PeriodicalIF":1.7000,"publicationDate":"2024-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ensemble representation of animacy could be based on mid-level visual features\",\"authors\":\"Natalia A. Tiurina, Yuri A. Markov\",\"doi\":\"10.3758/s13414-024-02976-6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>Studies suggest that mid-level features could underlie object animacy perception. In the current research, we tested whether ensemble animacy perception is based on high- or mid-level features. We used five types of images of animals and inanimate objects: color, grayscale, silhouettes, texforms – unrecognizable images that preserve mid-level texture and shape information – and scrambled images. In the series of Experiments 1, we asked participants to evaluate the animacy of single images and sets of eight images using a 10-point scale. In the series of Experiments 2, participants were shown two sets of eight images and had to choose a more animate one in the two-alternative forced-choice (2AFC) task. We found that in both paradigms, observers could report the mean animacy of the set of texform images without direct access to information about high-level features. Thus, ensemble animacy could be extracted only based on mid-level features such as shape and texture without access to more high-level information.</p></div>\",\"PeriodicalId\":55433,\"journal\":{\"name\":\"Attention Perception & Psychophysics\",\"volume\":\"87 2\",\"pages\":\"415 - 430\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2024-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Attention Perception & Psychophysics\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://link.springer.com/article/10.3758/s13414-024-02976-6\",\"RegionNum\":4,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"PSYCHOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Attention Perception & Psychophysics","FirstCategoryId":"102","ListUrlMain":"https://link.springer.com/article/10.3758/s13414-024-02976-6","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY","Score":null,"Total":0}
Ensemble representation of animacy could be based on mid-level visual features
Studies suggest that mid-level features could underlie object animacy perception. In the current research, we tested whether ensemble animacy perception is based on high- or mid-level features. We used five types of images of animals and inanimate objects: color, grayscale, silhouettes, texforms – unrecognizable images that preserve mid-level texture and shape information – and scrambled images. In the series of Experiments 1, we asked participants to evaluate the animacy of single images and sets of eight images using a 10-point scale. In the series of Experiments 2, participants were shown two sets of eight images and had to choose a more animate one in the two-alternative forced-choice (2AFC) task. We found that in both paradigms, observers could report the mean animacy of the set of texform images without direct access to information about high-level features. Thus, ensemble animacy could be extracted only based on mid-level features such as shape and texture without access to more high-level information.
期刊介绍:
The journal Attention, Perception, & Psychophysics is an official journal of the Psychonomic Society. It spans all areas of research in sensory processes, perception, attention, and psychophysics. Most articles published are reports of experimental work; the journal also presents theoretical, integrative, and evaluative reviews. Commentary on issues of importance to researchers appears in a special section of the journal. Founded in 1966 as Perception & Psychophysics, the journal assumed its present name in 2009.