活生生的档案实践和编排导航:与非人类的相遇和接触。

Open research Europe Pub Date : 2024-08-07 eCollection Date: 2024-01-01 DOI:10.12688/openreseurope.17447.1
Shuntaro Yoshida, Alex Viteri Arturo, Catalina Fernandez, Maharu Maeno, Jun Yamaguchi
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引用次数: 0

摘要

本文深入探讨了跨物种舞蹈团体 "映射到最接近的地址"(MaCA)的合作工作,重点是我们的生活档案实践以及与其他非人类编舞的探索。通过与不同物种和环境的接触,MaCA 试图转变人类中心主义的视角,质疑人类对现代性和殖民性的定位,并质疑人类对自然、与自然和对自然的理解/管理/纠缠/奉献。从 COVID-19 大流行期间的数字驻留,到 2022 年 Echigo-Tsumari 艺术三年展上的现场研究、装置和表演,本报告记录并分析了该集体的历程。该集体的合作过程包括放弃控制,以允许出现不听话的动作,并从非人类的角度探索编舞。这包括与葛藤和山脉的邂逅,将它们的动作和模式编织进表演和装置中。文章讨论了身临其境的表演 "关闭屋内灯光",在这个表演中,MaCA 将当地社区的故事与从景观中获得灵感的手势融为一体。通过我们的活档案实践,MaCA 旨在传递生物与环境之间互动的集体记忆,并强调人类与地球上其他生物的相互联系。文章反思了超越以人为中心的编舞概念的意义,强调了生态表演的新兴形式以及人类与非人类领域之间界限的消解。MaCA 的作品从舞蹈、视觉艺术和戏剧等跨学科的角度出发,以跨学科的方式表达了非人类的编舞。这种方法不仅为观众带来了身临其境的体验,还通过艺术探索对未来的生态系统做出了回应。最终,MaCA 的活档案实践有助于人们认识非人类的集体生活,并为我们与自然世界的融合提供启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Living archival practice and the choreographical navigations: Encounters and approaches with other-than-human persons.

This article delves into the collaborative work of the interspecies dance collective, Mapped to the Closest Address (MaCA), focusing on our living archival practice and exploration of choreography with other-than-human persons. Through encounters with various species and environments, MaCA seeks to shift anthropocentric perspectives, interrogate their orientation towards modernity and coloniality, and question their understanding/administration/entanglement/devotion of, with, and to nature. The collective's journey, from a digital residency during the COVID-19 pandemic to site research, installations, and performance at the Echigo-Tsumari Art Triennale 2022, is documented and analyzed. The collective's collaborative process involves relinquishing control to allow for the emergence of disobedient movements and the exploration of choreography from the perspective of other-than-human persons. This includes encounters with kudzu vines and mountains, weaving their movements and patterns into performances and installations. The article discusses the immersive performance "Turn Off the House Lights," in which MaCA integrates stories from local communities with gestures inspired by the landscape. Through our living archival practice, MaCA aims to transmit a collective memory of interactions among organisms and environments and highlight the interconnectedness of humans and the other creatures of the Earth. The article reflects on the significance of choreography beyond human-centric notions, emphasizing the emergent forms of ecological performance and the dissolution of boundaries between human and non-human realms. Drawing on interdisciplinary perspectives including dance, visual art, and theatre, MaCA's work exemplifies a cross-disciplinary approach to expressing the choreography of other-than-human persons. This approach not only presents audiences with immersive experiences but also responds to the future ecosystem through artistic exploration. Ultimately, MaCA's living archival practices contribute to awareness of the collective lives of other-than-human persons and offer insights into navigating our enmeshment with the natural world.

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