从伊朗当代女艺术家的视角重新定义女性身体

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-11-07 DOI:10.3390/arts13060167
Paria Karami
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引用次数: 0

摘要

在当代艺术中,对 "身体",尤其是女性身体的表现,已成为女权主义批评和探索的一个重要场所。这一点在伊朗女艺术家的作品中尤为明显,她们挑战了当地和全球围绕女性身体的主流话语。本研究探讨了 Shirin Neshat(生于 1957 年)、Parastou Forouhar(生于 1962 年)和 Shadi Ghadirian(生于 1974 年)等艺术家如何在伊朗革命后的社会政治背景下,利用她们的艺术作品重新定义女性身体的表征。以强制性头巾法和严格的女性社会规范为标志的革命后限制性环境对艺术表达产生了深远影响。这些艺术家在这一复杂的环境中游刃有余,他们利用自己的作品对强加的限制和西方的目光提出质疑,西方的目光往往将伊朗女性简化为刻板印象。通过从女性主义的视角审视这些艺术表现形式,本文探讨了性别、政治、文化和艺术表现形式之间的交集,研究了这些艺术家如何在当代女性主义艺术中为女性身体的广泛重新定义做出贡献。本研究采用以女性主义理论为基础的定性描述分析方法,包括西方思想以外的观点,来分析这些伊朗艺术家如何驾驭、颠覆和重新想象传统的女性形象。通过分析具体作品,本研究旨在提供一种细致入微的理解,即这些艺术家如何挑战伊朗和全球观众,在其特定的文化和历史背景下重新考虑性别、身份和权力的界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Redefining Women’s Bodies from the Perspective of Iranian Contemporary Female Artists
In contemporary art, the representation of the “body”, particularly the female body, has emerged as a crucial site of feminist critique and exploration. This is especially evident in the works of Iranian female artists, who challenge prevailing local and global discourses surrounding female embodiment. This study examines how artists such as Shirin Neshat (b. 1957), Parastou Forouhar (b. 1962), and Shadi Ghadirian (b. 1974) use their art to redefine representations of women’s bodies within the socio-political context of post-revolutionary Iran. The restrictive post-revolutionary environment, marked by mandatory hijab laws and stringent social codes for women, has profoundly impacted artistic expression. These artists navigate this complex landscape, utilizing their work to contest both the imposed limitations and the Western gaze that often reduces Iranian women to stereotypes. By interrogating these artistic representations through a feminist lens, this paper explores the intersection of gender, politics, culture, and artistic expression, examining how these artists contribute to a broader redefinition of the female body in contemporary feminist art. This study employs a qualitative, descriptive–analytical approach grounded in feminist theory, including perspectives beyond Western thought, to analyze how these Iranian artists navigate, subvert, and reimagine traditional representations of women. By analyzing specific works, this study aims to offer a nuanced understanding of how these artists challenge both Iranian and global audiences to reconsider the boundaries of gender, identity, and power within their specific cultural and historical context.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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