弗朗茨-舒伯特《蝶恋花》中的音阶和密度定量分析

IF 2.5 4区 医学 Q1 AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY
Paul M Patinka
{"title":"弗朗茨-舒伯特《蝶恋花》中的音阶和密度定量分析","authors":"Paul M Patinka","doi":"10.1016/j.jvoice.2024.09.035","DOIUrl":null,"url":null,"abstract":"<p><strong>Objective: </strong>Quantitative analysis of vocal compositions continues to be a topic of exploration in seeking methods that attempt to objectively match a singer's ability with musical difficulty. Work is needed to study the vocal demands of song cycles of Western classical art songs. The objective of this study is to assess the compositional range, musical tessitura, melodic directionality, vocal fold cycle dose, phonation time dose, and musical density of the 20 art songs comprising Die schöne Müllerin by Franz Schubert.</p><p><strong>Methods: </strong>Vocal and piano pitches in each song were subdivided by the shortest universal rhythmic duration and converted to hertz for equal weighting. Musical density was determined by similarly subdividing each pitch in the piano part. Quartile analysis defined tessitura as the inclusive range between the first and third quartiles based on previous analysis models. The frequency difference between each pitch and summing time spent ascending, descending, or remaining stable in pitch determined vocal directionality.</p><p><strong>Results: </strong>The overall tessitura of the composition varies but averages between 246.94 Hz (B<sub>3</sub>) and 329.63 Hz (E<sub>4</sub>) with an average pitch of 293.66 Hz (D<sub>4</sub>). Textural density varies throughout the music and does not seem to correlate with either pitch range or tessitura. Melodic directionality throughout the cycle is primarily descending. The final number of the cycle (Des Baches Wiegenlied) contains some of the most challenging elements in the piece with a high compositional range and musical tessitura, and the highest vocal fold cycle dose, phonation time dose, and musical density of the entire cycle.</p><p><strong>Conclusions: </strong>Quantitative musical analysis allows for a nuanced understanding of challenges in musical works. Vocal characteristics that individual singers might possess to navigate these works are described based on data interpretation. This research engages a new method of quantitatively evaluating musical density to assess effects on vocal production.</p>","PeriodicalId":49954,"journal":{"name":"Journal of Voice","volume":null,"pages":null},"PeriodicalIF":2.5000,"publicationDate":"2024-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Quantitative Analysis of Tessitura and Density in Franz Schubert's Die schöne Müllerin.\",\"authors\":\"Paul M Patinka\",\"doi\":\"10.1016/j.jvoice.2024.09.035\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><strong>Objective: </strong>Quantitative analysis of vocal compositions continues to be a topic of exploration in seeking methods that attempt to objectively match a singer's ability with musical difficulty. Work is needed to study the vocal demands of song cycles of Western classical art songs. The objective of this study is to assess the compositional range, musical tessitura, melodic directionality, vocal fold cycle dose, phonation time dose, and musical density of the 20 art songs comprising Die schöne Müllerin by Franz Schubert.</p><p><strong>Methods: </strong>Vocal and piano pitches in each song were subdivided by the shortest universal rhythmic duration and converted to hertz for equal weighting. Musical density was determined by similarly subdividing each pitch in the piano part. Quartile analysis defined tessitura as the inclusive range between the first and third quartiles based on previous analysis models. The frequency difference between each pitch and summing time spent ascending, descending, or remaining stable in pitch determined vocal directionality.</p><p><strong>Results: </strong>The overall tessitura of the composition varies but averages between 246.94 Hz (B<sub>3</sub>) and 329.63 Hz (E<sub>4</sub>) with an average pitch of 293.66 Hz (D<sub>4</sub>). Textural density varies throughout the music and does not seem to correlate with either pitch range or tessitura. Melodic directionality throughout the cycle is primarily descending. The final number of the cycle (Des Baches Wiegenlied) contains some of the most challenging elements in the piece with a high compositional range and musical tessitura, and the highest vocal fold cycle dose, phonation time dose, and musical density of the entire cycle.</p><p><strong>Conclusions: </strong>Quantitative musical analysis allows for a nuanced understanding of challenges in musical works. Vocal characteristics that individual singers might possess to navigate these works are described based on data interpretation. This research engages a new method of quantitatively evaluating musical density to assess effects on vocal production.</p>\",\"PeriodicalId\":49954,\"journal\":{\"name\":\"Journal of Voice\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":2.5000,\"publicationDate\":\"2024-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Voice\",\"FirstCategoryId\":\"3\",\"ListUrlMain\":\"https://doi.org/10.1016/j.jvoice.2024.09.035\",\"RegionNum\":4,\"RegionCategory\":\"医学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Voice","FirstCategoryId":"3","ListUrlMain":"https://doi.org/10.1016/j.jvoice.2024.09.035","RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY","Score":null,"Total":0}
引用次数: 0

摘要

目的:声乐作品的定量分析仍然是一个探索课题,它试图用客观的方法将歌唱者的能力与音乐难度相匹配。研究西方经典艺术歌曲的歌曲循环对声乐的要求仍需努力。本研究的目的是评估弗朗茨-舒伯特(Franz Schubert)的《蝶恋花》(Die schöne Müllerin)中 20 首艺术歌曲的作曲范围、音乐性、旋律方向性、声带周期剂量、发音时间剂量和音乐密度:方法:将每首歌中的声乐和钢琴音高按最短的通用节奏时长进行细分,并转换为赫兹,以获得相同的权重。通过对钢琴部分的每个音高进行类似的细分,确定音乐密度。根据以往的分析模型,四分法分析将音调定义为第一和第三四分法之间的包含范围。每个音高之间的频率差以及音高升高、降低或保持稳定的时间总和决定了声乐的方向性:结果:作品的整体音调各不相同,但平均音调在 246.94 赫兹(B3)和 329.63 赫兹(E4)之间,平均音高为 293.66 赫兹(D4)。整首乐曲的纹理密度各不相同,似乎与音程或音调无关。整个乐章的旋律指向性主要是降调。乐曲的最后一个乐段(Des Baches Wiegenlied)包含了乐曲中最具挑战性的元素,具有较高的作曲音域和音乐性,同时也是整个乐曲中声带周期剂量、发音时间剂量和音乐密度最高的乐段:结论:音乐定量分析有助于对音乐作品中的挑战进行细致入微的了解。结论:通过音乐定量分析,可以深入了解音乐作品中的挑战,并根据数据解读,描述个别歌手在驾驭这些作品时可能具备的声乐特征。这项研究采用了一种量化评估音乐密度的新方法,以评估对发声的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quantitative Analysis of Tessitura and Density in Franz Schubert's Die schöne Müllerin.

Objective: Quantitative analysis of vocal compositions continues to be a topic of exploration in seeking methods that attempt to objectively match a singer's ability with musical difficulty. Work is needed to study the vocal demands of song cycles of Western classical art songs. The objective of this study is to assess the compositional range, musical tessitura, melodic directionality, vocal fold cycle dose, phonation time dose, and musical density of the 20 art songs comprising Die schöne Müllerin by Franz Schubert.

Methods: Vocal and piano pitches in each song were subdivided by the shortest universal rhythmic duration and converted to hertz for equal weighting. Musical density was determined by similarly subdividing each pitch in the piano part. Quartile analysis defined tessitura as the inclusive range between the first and third quartiles based on previous analysis models. The frequency difference between each pitch and summing time spent ascending, descending, or remaining stable in pitch determined vocal directionality.

Results: The overall tessitura of the composition varies but averages between 246.94 Hz (B3) and 329.63 Hz (E4) with an average pitch of 293.66 Hz (D4). Textural density varies throughout the music and does not seem to correlate with either pitch range or tessitura. Melodic directionality throughout the cycle is primarily descending. The final number of the cycle (Des Baches Wiegenlied) contains some of the most challenging elements in the piece with a high compositional range and musical tessitura, and the highest vocal fold cycle dose, phonation time dose, and musical density of the entire cycle.

Conclusions: Quantitative musical analysis allows for a nuanced understanding of challenges in musical works. Vocal characteristics that individual singers might possess to navigate these works are described based on data interpretation. This research engages a new method of quantitatively evaluating musical density to assess effects on vocal production.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Journal of Voice
Journal of Voice 医学-耳鼻喉科学
CiteScore
4.00
自引率
13.60%
发文量
395
审稿时长
59 days
期刊介绍: The Journal of Voice is widely regarded as the world''s premiere journal for voice medicine and research. This peer-reviewed publication is listed in Index Medicus and is indexed by the Institute for Scientific Information. The journal contains articles written by experts throughout the world on all topics in voice sciences, voice medicine and surgery, and speech-language pathologists'' management of voice-related problems. The journal includes clinical articles, clinical research, and laboratory research. Members of the Foundation receive the journal as a benefit of membership.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信