2023 年邓肯-坦纳论文奖得主:高质量 "交易:1960-90 年澳大利亚的英国喜剧电视业务

Holly Swenson
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引用次数: 0

摘要

研究大英帝国晚期的历史学家经常把 20 世纪 60 年代和 70 年代作为英联邦民族主义的转折点,当时英国人的海外情结严重衰退。本文研究了这一现象的一个例外:澳大利亚人继续欣赏英国电视,尤其是英国喜剧电视。其他历史学家认为这是 "文化帝国主义 "的表现,而本文则认为,澳大利亚电视台购买英国喜剧片是出于复杂的商业原因,而这些原因并不局限于帝国情感。澳大利亚电视台和英国电视台合作将英国电视节目引入澳大利亚。公营和私营英国电视台向澳大利亚人出售节目,以资助其国内活动,并声称其产品具有独特的 "高品质"。澳大利亚电视台借用英国人的 "高质量 "语言来描述这些节目,澳大利亚观众也通过这种修辞来描述他们对电视的喜好。这篇文章将国际商业记录与观众意见相结合,展示了媒体公司在积极塑造消费者对英国的态度方面所起的作用,即使是在后帝国时代也是如此。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Duncan Tanner Essay Prize Winner 2023: A 'High Quality' Deal: The Business of British Comedy Television in Australia, 1960-90.

Historians of the late British empire often cite the 1960s and 1970s as a turning point in Commonwealth nationalisms, when British sentiment abroad was in major decline. This article investigates one exception to that phenomenon: Australians' continued appreciation for British television, especially British comedy television. While other historians have seen this as a symptom of 'cultural imperialism', this article argues that Australian stations purchased British comedies for complex commercial reasons that extended beyond imperial sentiment. Australian and British television stations worked together to bring British television programmes to Australia. Public and private British stations sold Australians programmes to finance their domestic activities, claiming their products were uniquely 'high quality'. Australian stations borrowed British language of 'high quality' to describe these programmes, a rhetoric which filtered through to how Australian viewers described their television preferences. Combining international business records with viewers' opinions, this article demonstrates the role media firms could play in positively framing consumers' attitudes to Britain even in the post-imperial era.

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