{"title":"听觉模式识别中边缘频率的显著性增强","authors":"Michel Bürgel, Diana Mares, Kai Siedenburg","doi":"10.3758/s13414-024-02971-x","DOIUrl":null,"url":null,"abstract":"<p><p>Within musical scenes or textures, sounds from certain instruments capture attention more prominently than others, hinting at biases in the perception of multisource mixtures. Besides musical factors, these effects might be related to frequency biases in auditory perception. Using an auditory pattern-recognition task, we studied the existence of such frequency biases. Mixtures of pure tone melodies were presented in six frequency bands. Listeners were instructed to assess whether the target melody was part of the mixture or not, with the target melody presented either before or after the mixture. In Experiment 1, the mixture always contained melodies in five out of the six bands. In Experiment 2, the mixture contained three bands that stemmed from the lower or the higher part of the range. As expected, Experiments 1 and 2 both highlighted strong effects of presentation order, with higher accuracies for the target presented before the mixture. Notably, Experiment 1 showed that edge frequencies yielded superior accuracies compared with center frequencies. Experiment 2 corroborated this finding by yielding enhanced accuracies for edge frequencies irrespective of the absolute frequency region. Our results highlight the salience of sound elements located at spectral edges within complex musical scenes. Overall, this implies that neither the high voice superiority effect nor the insensitivity to bass instruments observed by previous research can be explained by absolute frequency biases in auditory perception.</p>","PeriodicalId":55433,"journal":{"name":"Attention Perception & Psychophysics","volume":null,"pages":null},"PeriodicalIF":1.7000,"publicationDate":"2024-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Enhanced salience of edge frequencies in auditory pattern recognition.\",\"authors\":\"Michel Bürgel, Diana Mares, Kai Siedenburg\",\"doi\":\"10.3758/s13414-024-02971-x\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Within musical scenes or textures, sounds from certain instruments capture attention more prominently than others, hinting at biases in the perception of multisource mixtures. Besides musical factors, these effects might be related to frequency biases in auditory perception. Using an auditory pattern-recognition task, we studied the existence of such frequency biases. Mixtures of pure tone melodies were presented in six frequency bands. Listeners were instructed to assess whether the target melody was part of the mixture or not, with the target melody presented either before or after the mixture. In Experiment 1, the mixture always contained melodies in five out of the six bands. In Experiment 2, the mixture contained three bands that stemmed from the lower or the higher part of the range. As expected, Experiments 1 and 2 both highlighted strong effects of presentation order, with higher accuracies for the target presented before the mixture. Notably, Experiment 1 showed that edge frequencies yielded superior accuracies compared with center frequencies. Experiment 2 corroborated this finding by yielding enhanced accuracies for edge frequencies irrespective of the absolute frequency region. Our results highlight the salience of sound elements located at spectral edges within complex musical scenes. Overall, this implies that neither the high voice superiority effect nor the insensitivity to bass instruments observed by previous research can be explained by absolute frequency biases in auditory perception.</p>\",\"PeriodicalId\":55433,\"journal\":{\"name\":\"Attention Perception & Psychophysics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2024-10-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Attention Perception & Psychophysics\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.3758/s13414-024-02971-x\",\"RegionNum\":4,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"PSYCHOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Attention Perception & Psychophysics","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.3758/s13414-024-02971-x","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY","Score":null,"Total":0}
Enhanced salience of edge frequencies in auditory pattern recognition.
Within musical scenes or textures, sounds from certain instruments capture attention more prominently than others, hinting at biases in the perception of multisource mixtures. Besides musical factors, these effects might be related to frequency biases in auditory perception. Using an auditory pattern-recognition task, we studied the existence of such frequency biases. Mixtures of pure tone melodies were presented in six frequency bands. Listeners were instructed to assess whether the target melody was part of the mixture or not, with the target melody presented either before or after the mixture. In Experiment 1, the mixture always contained melodies in five out of the six bands. In Experiment 2, the mixture contained three bands that stemmed from the lower or the higher part of the range. As expected, Experiments 1 and 2 both highlighted strong effects of presentation order, with higher accuracies for the target presented before the mixture. Notably, Experiment 1 showed that edge frequencies yielded superior accuracies compared with center frequencies. Experiment 2 corroborated this finding by yielding enhanced accuracies for edge frequencies irrespective of the absolute frequency region. Our results highlight the salience of sound elements located at spectral edges within complex musical scenes. Overall, this implies that neither the high voice superiority effect nor the insensitivity to bass instruments observed by previous research can be explained by absolute frequency biases in auditory perception.
期刊介绍:
The journal Attention, Perception, & Psychophysics is an official journal of the Psychonomic Society. It spans all areas of research in sensory processes, perception, attention, and psychophysics. Most articles published are reports of experimental work; the journal also presents theoretical, integrative, and evaluative reviews. Commentary on issues of importance to researchers appears in a special section of the journal. Founded in 1966 as Perception & Psychophysics, the journal assumed its present name in 2009.