哥特式水闸16 世纪荷兰水力工程的开创性图纸

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-10-02 DOI:10.3390/arts13050151
Merlijn Hurx
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引用次数: 0

摘要

正如哥特式大教堂长期以来一直主导着人们对中世纪建筑的认识一样,德国修道院的壮观图纸也塑造了我们对中世纪设计过程的看法。然而,这些图纸的巨大重要性转移了学者们对其他绘图实践的关注,并强化了基于四分法的同质化哥特式设计实践的观点。历史学家普遍认为,在 16 世纪,一种新的文艺复兴图形语言挑战并最终取代了阿尔卑斯山以北的哥特式传统。然而,这种以一种主导实践取代另一种主导实践的对立叙事需要重新审视,因为迄今为止被忽视的其他类型建筑的图纸揭示出,中世纪的绘图实践比人们通常认为的更加多样化,也更容易接受新的发展。本文将研究 1556 年至 1563 年间为乌得勒支省和荷兰的三座石闸绘制的三套罕见的建筑图纸,共三十多张。这些图纸表明,对于技术要求很高的水利工程,图纸指导着从讨论最合适的设计到指导石匠施工的每一个步骤。此外,他们还表明,对于此类工程,哥特式大师们并没有固守传统,而是采用了新的设计方法,利用比例、色彩和多视图来表达工程的方方面面,从而表明风格和方法的变化并不总是相互关联的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gothic Locks: Pioneering Drawings for Hydraulic Works in 16th-Century Holland
Just as Gothic cathedrals have long dominated the perception of medieval architecture, the spectacular drawings of the German lodges have shaped our view of the medieval design process. However, their towering importance has diverted scholarly attention from alternative drafting practices and reinforced the view of a homogeneous Gothic design practice based on quadrature. Historians generally accept that in the 16th century a new Renaissance graphic language challenged and ultimately replaced the Gothic tradition north of the Alps. However, this antagonistic narrative of one dominant practice superseding the other needs to be re-examined because hitherto neglected drawings for other types of buildings reveal that medieval drafting practice was more varied and open to new developments than is often believed. This paper will examine three rare sets of architectural drawings, together consisting of over thirty sheets, made for three stone sluices in the provinces of Utrecht and Holland between 1556 and 1563. They show that for technically demanding hydraulic works, drawings directed every step of the process, from enabling discussion of the most suitable design to guiding the stonemasons in the execution of the work. Moreover, they demonstrate that for such projects, Gothic masters did not adhere to tradition but engaged with new design methods, using scale, colour, and multiple views to convey all aspects of the project, thus indicating that changes in style and method were not always interrelated.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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