以数字为媒介的合作与参与:相隔 10,427 英里和 11 个小时的创作经历

IF 1 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH
Pauline Black, Emily Wilson
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引用次数: 0

摘要

COVID-19 带来了许多挑战,同时向在线学习的转变也为音乐教师提供了意想不到的机遇。在大流行病期间,两位身为教师教育者的研究人员与苏格兰和澳大利亚的音乐师范生一起开展了一个作曲项目,以回应这一主题:我与世隔绝的生活:与世隔绝还是殊途同归?我们将借鉴图里诺(2008 年)的参与式音乐创作理论,对这一协作式在线音乐和视频创作项目进行分析。本文将讨论参与对于音乐制作者的意义。本文认为,应更多地关注数字协作音乐技术工具的可负担性,以建立职前教师的信心,促进真实世界的创作项目,从而促进参与、协作和社会互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Digitally mediated collaboration and participation: composing 10,427 miles and 11 hours apart
COVID-19 presented many challenges while the shift to online learning also provided unexpected opportunities for music teachers. During the pandemic, two researchers who are teacher educators undertook a composing project with music teacher education students in Scotland and Australia in response to the theme: My Life in Isolation: A World Apart or Same Difference? Turino’s (2008) theory of participatory music making will be drawn upon to analyse this collaborative online music and video creation project. What participation means as a music-maker will be discussed. The paper argues for greater attention to the affordances of digital collaborative music technology tools to build the confidence of pre-service teachers to facilitate real-world composing projects to promote participation, collaboration and social interaction.
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来源期刊
CiteScore
2.40
自引率
10.00%
发文量
37
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